Novos resultados sobre a limpeza de pinturas

Acabou de ser publicado e simultaneamente disponibilizado na internet o seguinte livro que reúne as contribuições apresentadas num congresso realizado em 2010:

Marion F. Mecklenburg, A. Elena Charola, Robert J. Koestler (ed.), New Insights into the Cleaning of Paintings, Washington, Smithsonian Institution Scholarly Press, 2013.

Está disponível aqui, com acesso livre.

Índice:

• Stephen Gritt, The Removal of Patina, p. 1

• Konrad Laudenbacher, Considerations of the Cleaning of Paintings, p. 7

• Stephen Hackney, The Art and Science of Cleaning Paintings, p. 11

• Erminio Signorini, Surface Cleaning of Paintings and Polychrome Objects in Italy: The Last 15 Years, p. 17

• Laurent Sozzani, A Preliminary Investigation into the Surface Characteristics of Paint and the Implications for Restoration, p. 23

• Magdalena Iwanicka, Dagmara Konczalska, Piotr Targowski, Bogumila J. Rouba, Noncontact and Noninvasive Monitoring of Overpaint Removal with Optical Coherence Tomography, p. 27

• José Manuel Barros García, Eva Pérez Marín, A New Documentation System: Stratographic Units Recording Sheets Applied to the Cleaning of a Fifteenth-Century Painting, p. 31

• Amparo Saera Vila, José Manuel Barros García, Computer Applications and Cleaning: Teas Fractional Solubility Parameter System in Conservation, p. 35

• Antonella Casoli, Michela Berzioli, Paolo Cremonesi, The Chemistry of Egg Binding Medium and Its Interactions with Organic Solvents and Water, p. 39

• Ken Sutherland, Solvent Leaching Effects on Aged Oil Paints, p. 45

• Charles S. Tumosa, Marion F. Mecklenburg, Oil Paints: The Chemistry of Drying Oils and the Potential for Solvent Disruption, p. 51

• Marion F. Mecklenburg, Charles S. Tumosa, Edward P. Vicenzi, The Influence of Pigments and Ion Migration on the Durability of Drying Oil and Alkyd Paints, p. 59

• Alan Phenix, Effects of Organic Solvents on Artists’ Oil Paint Films: Swelling, p. 69

• Meredith Watson, Aviva Burnstock, An Evaluation of Color Change in Nineteenth-Century Grounds on Canvas upon Varnishing and Varnish Removal, p. 77

• Ken Sutherland, Beth Price, Andrew Lins, Irma Passeri, Oxalate-Rich Surface Layers on Paintings: Implications for Interpretation and Cleaning, p. 85

• Rebecca Ploeger, Oscar Chiantore, Characterization and Stability Issues of Artists’ Alkyd Paints, p. 89

• Stefan Zumbühl, Ester S. B. Ferreira, Nadim C. Scherrer, Volker Schaible, The Nonideal Action of Binary Solvent Mixtures to Oil and Alkyd Paint: Influence of Selective Solvation and Cavitation Energy, p. 97

• Hannah Tempest, Aviva Burnstock, Polly Saltmarsh, Klaas Jan van den Berg, Sensitivity of Oil Paint Surfaces to Aqueous and Other Solvents, p. 107

• Gillian Osmond, Anne Carter, The Effect of Conductivity on Water Solubility: Cleaning a Modern Chinese Oil Painting, p. 115

• Tine Frøysaker, Mirjam Liu, Costanza Miliani, Noninvasive Assessments of Cleaning Tests on an Unvarnished Oil Painting on Canvas by Edvard Munch, p. 119

• María Teresa Doménech-Carbó, Miguel F. Silva, Elvira Aura-Castro, Antonio Doménech-Carbó, Laura Fuster-López, Jose V. Gimeno-Adelantado, Stephan U. Kröner, María Luisa Martínez-Bazán, Xavier Más-Barberá, Marion F. Mecklenburg, Osete-Cortina, Multitechnique Approach to Evaluate Cleaning Treatments for Acrylic and Polyvinyl Acetate Paints, p. 125

• Ana Pereira, Maria João Melo, Peter Eaton, Stephan Schäfer, Tom Learner, A Preliminary Study into the Effects of Cleaning Polyvinyl Acetate Paints, p. 135

• Chris Stavroudis, Tiarna Doherty, The Modular Cleaning Program in Practice: Application to Acrylic Paintings, p. 139

• Richard Wolbers, Amanda Norbutus, Anthony Lagalante, Cleaning of Acrylic Emulsion Paints: Preliminary Extractive Studies with Two Commercial Paint Systems, p. 147

• Bronwyn Ormsby, Elli Kampasakali, Tom Learner, Surfactants and Acrylic Dispersion Paints: Evaluating Changes Induced by Wet Surface Cleaning Treatments, p. 159

• Mareike Opeña, Elisabeth Jägers, Effects of Solvents on the Physical Properties of Polymeric Films, p. 165

• Marie-Catherine Cyr, Emily Min, Alison Murray, The Removal of Commercial Varnishes from Acrylic Paints, p. 169

• Anna Nualart-Torroja, Marta Oriola-Folch, Marina Mascarella-Vilageliu, Cleaning Issues for Nine Francesc Artigau Pop Art Paintings, p. 175

• Paolo Cremonesi, Rigid Gels and Enzyme Cleaning, p. 179

• Andrés Sánchez-Ledesma, Carmen Muro-García, María Dolores Gayo-García, Effects of Commercial Soaps on Unvarnished Painted Surfaces: A Pilot Study for Their Assessment, p. 185

• Gwendoline Fife, Jos Van Och, Kate Seymour, Rene Hoppenbrouwers, Tissue Gel Composite Cleaning, p. 197

• Lora V. Angelova, Barbara H. Berrie, Richard G. Weiss, Partially Hydrolyzed Polyvinyl Acetate and Borax Gels for Cleaning Painted Surfaces, p. 201

• Alberto Finozzi, Alessandra Sella, Chiara Stefani, Use of Agar Cyclododecane for Cleaning Tests on a Frail Painting, p. 205

• Maude Daudin-Schotte, Madeleine Bisschoff, Ineke Joosten, Henk van Keulen, Klaas Jan van den Berg, Dry Cleaning Approaches for Unvarnished Paint Surfaces, p. 209

• Ina Hausmann, Petra Demuth, The Schlürfer: A Vacuum Technique for the Cleaning of Paintings, p. 221

• Anne Heckenbücker, Petra Demuth, Surface Cleaning with Aqueous Foams, p. 225

• Shawn Digney-Peer, Julie Arslanoglu, Residues on Unvarnished Surfaces after Absorene Sponge Dry Cleaning, p. 229

• Maria Filipa Pacheco, Ana I. Pereira, A. Jorge Parola, Luís C. Branco, The Use of Ionic Liquids for Varnish Removal: Effectiveness and Risk Evaluation, p. 233

• Grazia De Cesare, K. Melessanaki, P. Pouli, J. Domingues, F. Rosi, C. Miliani, C. Fotakis, Laser Cleaning Applied to Contemporary Paintings: Optimization of Working Parameters, p. 237

• Jacqueline Ridge, Ending Note: Summary of Panel Discussions, p. 239