Ge-conservación, n.º 3, 2012

Acabou de ser publicada pelo Grupo Español do IIC a revista digital Ge-conservación, n.º 3, de 2012.

Está aqui, com acesso livre.

Índice:

• Clara María González-Fanjul Fernández, Araceli Gabaldón, Tamara Alba, La mujer oculta bajo el retrato de Jovellanos de Goya, pp. 10-26

• Edson Motta, Vernizes intercalados: usos e virtudes, pp. 27-37

• Ana Laborde Marqueze, Entrevista a Carmén Añón Feliu, pp. 38-42

• Teresa Moreira Braga Teves Reis, A problemática dos resíduos em sistemas gelificados para a limpeza de pinturas, pp. 44-52

• María Gabriela Mayoni, Amalia De Grazia, Eugenia Guidobono, Ana Wortley, La preservación del patrimonio educativo en el Colegio Nacional de Buenos Aires, pp. 53-68

• Javier Bueno Vargas, Elena Vázquez Jiménez, Los libros de coro y las principales causas extrínsecas de su deterioro, pp. 69-88

• Hussein Hassan Marey Mahmoud, The Efficiency of Polymeric Coatings for the Conservation of Ancient Egyptian Wall Paintings, El-Qurna Necropolis, Upper Egypt, pp. 89-104

• Ana Bailão, Colour discrimination in conservation students: the Farnsworth-Munsell 100- hue test, pp. 105-116

• Trinidad Pasies Oviedo, Reconstrucciones desmontables como alternativa reversible en el proceso de reintegración de materiales arqueológicos, pp. 117-131

• Rocío Maira Vidal, Estudios geométricos y constructivos de una bóveda tabicada de yeso en la Comunidad de Madrid: determinación de su autoría por Juan Guas, pp. 132-151

• Consuelo Valverde Larrosa, Cristina Gómez González, Juan Carlos Martín García, Pilar Vidal Meler, Milagros Burón Álvarez, Estudios radiográficos determinantes para el conocimiento constuctivo de tres esculturas policromadas readlizados por el CCRBC de Castilla y León, pp. 152-166

• Francisco Javier Casaseca García, Tela encolada y cabello natural como técnicas aplicadas a la escultura tardogótica, pp. 167-185

• Santos M. Mateos Rusillo, Comunicar con los visitantes: una 'nueva' faceta profesional para los conservadores-restauradores, pp. 186-200

• Rita Sumano González, Los soportes textiles de pintura de caballete en México, siglos XVII-XIX. Aportaciones históricas tras su restauración, pp. 201-213

Obtenção de informação cultural das madeiras dos navios

A seguinte tese de doutoramento está disponível na internet com acesso livre:

Pearce Paul Creasman, Extracting Cultural Information from Ship Timber, Texas A&M University, 2010.

Está aqui.

Resumo:

This dissertation is rooted in one general question: what can the wood from ships reveal about the people and cultures who built them? Shipwrecks are only the last chapter of a complex story, and while the last fifty years of nautical archaeology have managed to rewrite a number of these chapters, much of the information unrelated to a ship’s final voyage remains a mystery. However, portions of that mystery can be exposed by an examination of the timbers. An approach for the cultural investigation of ship timbers is presented and attempts are made to establish the most reliable information possible from the largely unheralded treasures of underwater excavations: timbers. By introducing the written record, iconographic record, and the social, economic, and political factors to the archaeological record a more complete analysis of the cultural implications of ship and boat timbers is possible. I test the effectiveness of the approach in three varied case-studies to demonstrate its limits and usefulness: ancient Egypt’s Middle Kingdom, the Mediterranean under Athenian influence, and Portugal and the Iberian Peninsula during the Discoveries. The results of these studies demonstrate how ship timbers can be studied in order to better understand the people who built the vessels.

As obras e a técnica de Piero della Francesca

O seguinte livro está disponível na internet com acesso livre:

Keith Christiansen (ed.), Piero della Francesca. Fra Carnevale and the Making of a Renaissance Master, New York, The Metropolitan Museum of Art, 2005.

Está aqui.

Índice:

• Emanuela Daffra, In Search of Fra Carnevale, A " Painter of High Repute", p. 23

• Keith Christiansen, Florence: Filippo Lippi and Fra Carnevale, p. 39

• Andrea De Marchi, Fra Carnevale, Urbino, and the Marches: An Alternative View of the Renaissance, p. 67

• Matteo Ceriana, Fra Carnevale and the Practice of Architecture, p. 97

• Andrea Di Lorenzo, Documents in the Florentine Archives, p. 290

• Matteo Mazzalupi, Documents in the Urbino Archives, p. 299

• Livia Carloni, Documents in the Barberini Archives, p. 306

• Roberto Bellucci, Cecilia Frosinini, Observations on the Technique and Artistic Culture of Fra Carnevale, p. 310

• Ciro Castelli, George Bisacca, Carpentry and Panel Construction, p. 343

Restaurator, vol. 33, n.º 3-4, 2012

Foi há pouco publicada a revista Restaurator, vol. 33, n.º 3-4, de 2012.

Está disponível aqui (com acesso condicionado).

Índice:

• Anthony W. Smith, Bleaching in Paper Conservation, p. 223

• Theresa Smith, An Evaluation of Historical Bleaching with Chlorine Dioxide Gas, Sodium Hypochlorite, and Chloramine-T at the Fogg Art Museum, p. 249

• Irene Brückle, Aqueous Chlorine Dioxide Bleaching at Christa Gaehde's Studio in the 1990s, p. 274

• Janice Mae Schopfer, Light Bleaching with HID Lamps, p. 287

• Marion Verborg, Light Bleaching with Metal Halide Lamps: Effects on Naturally Aged Paper, p. 329

• Lena Niehus, Ute Henniges, Monika Horsky, Thomas Prohaska, Antje Potthast, Irene Brückle, Reducing the Risks of Hydrogen Peroxide Bleaching in Presence of Iron Ions in Paper, p. 356

• Eva Hummert, Susanne Kling, Irene Brückle, Dorothea Müller, Julia Roller, Treating a Previously Bleached Artwork on Paper, p. 395

• Martin Strebel, Potassium Permanganate Bleaching of an 18th-Century Hand-Coloured Aquatint Print, p. 409

National Gallery Technical Bulletin, vol. 33, 2012

Foi há pouco publicado o volume de 2012 da revista National Gallery Technical Bulletin.

Índice:

• Marika Spring, Colourless Powdered Glass as an Additive in Fifteenth- and Sixteenth-Century European Paintings, pp. 4-26

• Britta New, Helen Howard, Rachel Billinge, Hayley Tomlinson, David Peggie, Dillian Gordon, Niccolò di Pietro Gerini's Baptism Altarpiece: Technique, Conservation and Original Design, pp. 27-49

• Kate Stonor, Rachel Morrison, Adolphe Monticelli: The Techniques and Materials of an Unfashionable Artist, pp. 50-72

• Ashok Roy, Rachel Billinge, Christopher Riopelle, Renoir's Umbrellas Unfurled Again, pp. 73-81

• Anne Robbins, Kate Stonor, Past, Present, Memories: Analysing Edouard Vuillard's La Terrasse at Vasouy, pp. 82-112