The Creation of Color in Eighteenth-Century Europe
Sarah Lowengard, The Creation of Color in Eighteenth-Century Europe, Livro Electrónico, Columbia University Press - American Historical Association, 2006
Índice
- Technological Tasks and Philosophical Ideas
- Introduction
- Cultures of Sciences, Cultures of Technology
- Number, Order, Form
- Expertise and Experience
- Conclusions
- Interactions Between Techniques and Ideas
- Parameters of Color Quality
- Coloration and Chemistry
- Sources, Materials, Techniques
- Details of Products and Production
- Verbal Sources
- Object Sources
- Printed Sources
- Institutionalizing Practices Through Print
- Order in Publication
- Words for Color
- Constant de Massoul
- Mauclerc
- Pfannenschmid
- Vincent de Montpetit
- Gautier d'Agoty
- Le Blon
- Neilson, Quemiset, and Homassel
- Palmer
- Quintessential Blues
- Turkey Red
- Varnish
- Cudbear and Pompadour
- Gonin
- Peckitt and Berg
- Pont
- Prussian Blue
- Purple of Cassius
- Saxon Blue and Saxon Green
- Painted and Stained Glass
- Painted Fabric
- Printed Fabric
- Hand-Colored Engraving
- Porcelain Plaque
- Oil Painting
- References to Encaustic Painting
- Cobalt Refining
- Gonin's Work Schedule
- Blue from Ultramarine
- Mayer's Color Algebra
- Treatises of Watin and Mauclerc
- Schiffermuller's Color Table
- Sections of the Supplément
- Lichtenberg on Mayer's Triangle
- Werner's Color System
O livro electrónico (baseado numa dissertação de doutoramento) pode ser consultado em http://www.gutenberg-e.org. O acesso é condicionado, mas, de uma forma automática, pode ser pedido gratuitamente um acesso temporário.
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