Painted Wood: History and Conservation

A acrescentar aos livros já referidos (aqui e aqui) publicados pelo Getty Conservation Institute integralmente disponíveis online:

Valerie Dorge, F. Carey Howlett (ed.), Painted Wood: History and Conservation, The Getty Conservation Institute, Los Angeles, 1998.

Índice:

Understanding and Identifying Materials

• R. Bruce Hoadley, Wood as a Physical Surface for Paint Application

• David Erhardt, Paints Based on Drying-Oil Media

• Richard Newman, Tempera and Other Nondrying-Oil Media

• James S. Martin, Microscopic Examination and Analysis of the Structure and Composition of Paint and Varnish Layers

Historical Perspectives

• Myriam Serck-Dewaide, Support and Polychromy of Altarpieces from Brussels, Mechlin, and Antwerp. Study, Comparison, and Restoration

• Nancie C. Ravenel, Painted Italian Picture Frames in the Samuel H. Kress Foundation Collection at the National Gallery of Art

• Ian C. Bristow, The Imitation of Natural Materials in Architectural Interiors

• James Yorke, Royal Painted Furniture in King Charles I’s England

• Elizabeth White, Perished Perches: The Evidence for English Painted Wooden Furniture in Eighteenth-Century Gardens

• Susan L. Buck, Shaker Painted Furniture Provocative Insights into Shaker Paints and Painting Techniques

Historical Materials and Techniques

• Hans Portsteffen, Form and Polychromy: Two Different Concepts in One Object. Notes on Seventeenth-Century Sculpture Workshop Practices in Bavaria

• Renate Gold, Reconstruction and Analysis of Bismuth Painting

• Margaret J. Ballardie, Japanning in Seventeenth- and Eighteenth-Century Europe. A Brief Discussion of Some Materials and Methods

• Laurence Libin, Painted Harpsichords

• Frances Gruber Safford, Floral Painting on Early Eighteenth-Century American Furniture at The Metropolitan Museum of Art

• Luiz A. C. Souza, Cristina Avila, Chinese Motifs in the Baroque Art of Minas Gerais, Brazil. Historical and Technical Aspects<I></I>

• Chris A. Shelton, A Short Primer on the White-Painted Furnishings of Eighteenth-Century Philadelphia

• Jonathan Thornton, The Use of Dyes and Colored Varnishes in Wood Polychromy

• Robert D. Mussey Jr, Verte Antique Decoration on American Furniture. History, Materials, Techniques, Technical Investigations

• Nancy N. Odegaard, An Investigation of the Nature of Paint on Wood Objects in the Indigenous Southwest of North America

• Mark A. Harpainter, Christopher C. Augerson, The Painted Furniture and Wooden Decorative Arts of Lucia and Arthur Mathews

Investigations and Treatment

• Michele D. Marincola, Jack Soultanian, Monochromy, Polychromy, and Authenticity. The Cloisters’ Standing Bishop Attributed to Tilman Riemenschneider

• Anna C. Hulbert, Conservation of the Fourteenth-Century Ceiling at Saint Helen’s Church, Abingdon

• Claude Payer, Marie-Claude Corbeil, Colombe Harvey, Elizabeth Moffatt, The Interior Decor of the Ursuline Chapel in Quebec City. Research and Conservation

• Elizabeth Howard Schmidt, The Painted Tester Bedstead at Agecroft Hall

• Marianne Webb, Four Japanned Cabinets: A Variety of Techniques

• Andrea M. Gilmore, The Hunnewell Cottage. Preservation and Re-creation of a Nineteenth-Century Exterior Paint Scheme

• Marc A. Williams, Merri M. Ferrell, Jennifer Baker, Technology and Conservation of Decorative Surface Systems of Horse-Drawn Vehicles

• Merri M. Ferrell, The Importance of Conservation to Research: A Case Study

• Stephen L. Ray, Julie A. Reilly, The Treatment of Painted Wooden Folk Art

• Rick H. Parker, Peter L. Sixbey, Jeffrey: Horse of a Different Color

Ethical Considerations

• Andrew Todd, Painted Memory, Painted Totems

• Wendy Hartman Samet, The Philosophy of Aesthetic Reintegration: Paintings and Painted Furniture

• Valerie Reich Hunt, Conservation of Folk Art: Shelburne Museum’s Collection and Approach

• Lynne Dakin Hastings, Deborah Bigelow, Collaborations Past and Present: A Classical Success Story

• Deborah S. Gordon, Applied Aesthetics: Restoring the Original Cornice Decoration at Olana

Scientific Research

• Marion F. Mecklenberg, Charles S. Tumosa, David Erhardt, Structural Response of Painted Wood Surfaces to Changes in Ambient Relative Humidity

• Eric F. Hansen, Mitchell Hearns Bishop, Factors Affecting the Re-Treatment of Previously Consolidated Matte Painted Wooden Objects

• Stefan Michalski, Carole Dignard, Lori van Handel, David Arnold, The Ultrasonic Mister Applications in the Consolidation of Powdery Paint on Wooden Artifacts

• Richard C. Wolbers, Mary McGinn, Deborah Duerbeck, Poly(2-Ethyl-2-Oxazoline): A New Conservation Consolidant

Este volume de actas está disponível aqui.