As técnicas da pintura a têmpera, segundo Vaclav Vytlacil
Vaclav Vytlacil, Egg Tempera Painting. Tempera Underpainting. Oil Emulsion Painting. A Manual of Technique,
O livro está integralmente disponível aqui.
Índice:
- INTRODUCTION i
- NOTE ON OIL PAINTING AND TEMPERA PAINTING - Summary of essential differences between the two media 4
- OIL PAINTING - General discussion Doerner's theory of the "Mixed-Technique" Maroger's theory of Oil-Emulsion Painting Theory of "Fat" and "Lean" 7
- NOTES ON UNDERPAINTING - Difficulties of the beginner - Practical suggestions - Artistic considerations 13
- TEMPERA PAINTING. Description and classification for the sake of clarity 17
- EMULSIONS FOR TEMPERA PAINTING - Egg and Water - Yolk of Egg and Water - Lean Tempera Medium - Fat Tempera - Pastose Tempera - Formulae and descriptions - Suggestions and cautions 22
- RUBBING OR GRINDING OF TEMPERA COLOURS - Suggestions based on practical experience - Three Good Tempera - Whites 28
- PUTRIDO - Preparation - Characteristics Possibilities in combination with other forms of tempera 32
- GROUNDS FOR TEMPERA - Chalk Ground Tempera - Ground Tempera Panel - Coated Paper and Cardboard Formulae and detailed instructions for making 36
- OIL GROUNDS - Full-Oil Ground - Non Absorbent Ground - Formulae and detailed instructions for making 44
- NOTES ON MATERIALS. Canvas - Stretching - Stretchers – Tacks - Brushes - Gilder and Whiting 40
- GLUES - Fish Glue - Rabbit Skin Glue ("Colle de Lapin") - Tests -Preparation 51
- LINSEED OIL - General notes - Sun-Bleached - Sun-Thickened 53
- DAMAR VARNISH - Notes on preparation 56
- LEAD WHITE - Cautions in handling 58
- GOUACHE - Preparation - Possible use with tempera emulsions 59
- MAROGER OIL EMULSION Description Maroger's theory of Oil Emulsion Painting - Chemical structure 61
- SUMMARY OF PROCEDURES - Brief notes on Seven Different Methods of Picture - Building (ordinary direct oil painting apart) summarizing the material contained above 67
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