Os materiais e as técnicas da pintura moderna

Embora com data de 2007, só há pouco começou a ser distribuído o livro seguinte que reúne as comunicações apresentadas num simpósio realizado em 2006 na Tate Modern, Londres:

Thomas J. S Learner, Patricia Smithen, Jay W. Krueger, Michael R. Schilling (ed.), Modern Paints Uncovered, Los Angeles, The Getty Conservation Institute, 2007.

Índice:

• Thomas J. S. Learner, Modern Paints: Uncovering the Choices, p. 3

• Stuart Croll, Overview of Developments in the Paint Industry since 1930, p. 17

• James Coddington, Modern Paints, Conservation of, p. 30

• Joana Lia Ferreira, Maria João Melo, Ana Maria Ramos, Maria Jesús Ávila, "Eternity Is in Love with the Productions of Time": Joaquim Rodrigo's Classical Palette in a Vinyl Synthetic Medium, p. 43

• Alun Foster, The Performance and Properties of Artisan Water Mixable Oil Colour Compared with Other Oil-Based Paints by Winsor & Newton, p. 53

• James Hayes, Mark Golden, Gregory D. Smith, From Formulation to Finished Product: Causes and Potential Cures for Conservation Concerns in Acrylic Emulsion Paints, p. 58

• Abigail Mack, Shelley Sturman, John A. Escarsega, Adapting Military Camouflage Paint for Matte Outdoor Sculpture, p. 66

• Harriet Standeven, "Cover the Earth": A History of the Manufacture of Household Gloss Paints in Britain and the United States from the 1920s to the 1950s, p. 75

• Jaap J. Boon, Frank G. Hoogland, Jerre van der Horst, Mass Spectrometry of Modern Paints, p. 85

• Oscar Chiantore, Dominique Scalarone, The Macro- and Microassessment of Physical and Aging Properties in Modern Paints, p. 96

• Suzanne Quillen Lomax, Michael R. Schilling, Thomas J. S. Learner, The Identification of Synthetic Organic Pigments by FTIR and DTMS, p. 105

• Marcello Picollo, Mauro Bacci, Donata Magrini, Bruno Radicati, Giorgio Trumpy, Masahiko Tsukada, Diane Kunzelman, Modern White Pigments: Their Identification by Means of Noninvasive Ultraviolet, Visible, and Infrared Fiber Optic Reflectance Spectroscopy, p. 118

• Michael R. Schilling, Joy Mazurek, Thomas J. S. Learner, Studies of Modern Oil-Based Artists' Paint Media by Gas Chromatography/Mass Spectrometry, p. 129

• Mary H. Gridley, Dana Cranmer, Unforgiving Surfaces: Treatment of Cracks in Contemporary Paintings, p. 143

• Christa Haiml, Restoring the Immaterial: Study and Treatment of Yves Klein's Blue Monochrome (IKB 42), p. 149

• Narayan Khandekar, Eleonora Nagy, Julian Miller, Pia Gottschaller, Carol Mancusi-Ungaro, The Re-restoration of Donald Judd's Untitled, 1965, p. 157

• Patricia Smithen, A History of the Treatment of Acrylic Painting, p. 165

• Aviva Burnstock, Klaas Jan van den Berg, Suzan de Groot, Louise Wijnberg, An Investigation of Water-Sensitive Oil Paints in Twentieth-Century Paintings, p. 177

• Bronwyn A. Ormsby, Thomas J. S. Learner, Gary M. Foster, James R. Druzik, Michael R. Schilling, Wet Cleaning Acrylic Emulsion Paint Films: An Evaluation of Physical, Chemical, and Optical Changes, p. 189

• Rebecca Ploeger, Alison Murray, Simon A. M. Hesp, Dominique Scalarone, Morphological Changes and Rates of Leaching of Water-Soluble Material from Artists' Acrylic Paint Films during Aqueous Immersions, p. 201

• Carol Stringari, Christopher W. McGlinchey, Kristalia Melessanaki, Sjoerd Postma, Corey D'Augustine, Laser Cleaning of a Study Painting by Ad Reinhardt and the Analysis/Assessment of the Surface after Treatment, p. 208

• Paul M. Whitmore, Hannah R. Morris, Val G. Colaluca, Penetration of Liquid Water through Waterborne Acrylic Coatings, p. 217

• Eric Hagan, Maria Charalambides, Thomas J. S. Learner, Alison Murray, Christina Young, Factors Affecting the Mechanical Properties of Modern Paints, p. 227

• Gregory D. Smith, Aging Characteristics of a Contemporary Acrylic Emulsion Used in Artists' Paints, p. 236

• Christina Young, Interfacial Interactions of Modern Paint Layers, p. 247

• Stefan Zumbithl, Francesca Attanasio, Nadim C. Scherrer, Wolfgang Muller, Nicolai Fenners, Walter Caseri, Solvent Action on Dispersion Paint Systems and the Influence on the Morphology - Changes and Destruction of the Latex Microstructure, p. 257

• Judith Bannerman, The Effects of Ultraviolet Light Aging on the Mechanical and Physical Properties of Artists' Acrylic Paints, p. 271

• Eva Brachert, Art in Bad Times, p. 271

• Anne Carter, Cleaning The Café Balzac Mural, p. 273

• Oscar Chiantore, Rebecca Ploeger, Antonio Rava, The Identification of Some of the Painting Materials at Museo d'Arte Contemporanea all'Aperto di Maglione, p. 274

• Maureen Cross, The Complexities of Woman in a Courtyard (1933) by Julian Trevelyan, p. 276

• Julio M. del Hoyo-Meléndez, Maria Teresa Domenech-Carbó, Study of the Influence of Synthetic Organic Pigments on the Thermal and Photodegradation of Linseed Oil by FTIR/ATR Spectroscopy, p. 277

• Glenn Gates, Tatiana Ausema, Susan Lake, What Makes the Color Field? A Technical Examination of Magna Paint, p. 277

• Mark Gottsegen, Ross Merrill, Modern Standards for Modern Paints: The Activities of ASTM D01.57, p. 278

• James Hamm, Gregory D. Smith, Aniko Bezúr, Analyzing Visual Change in a Painting by Josef Albers, p. 280

• Sarah Hillary, Thomas J. S. Learner, A Painter's Paradise, p. 280

• Frank G. Hoogland, Jerre van der Horst, Jaap J. Boon, Liquefying Oil Paint in Some Late-Twentieth-Century Paintings, p. 282

• Ashley M. Johnson, Elma O'Donoghue, Marc S. Walton, Dictated by Media: Conservation and Technical Analysis of a 1938 Burlap Painting by Joan Mini, p. 284

• Jessica Keister, Joyce Hill Stoner, Joseph Weber, Paints and Coatings Used in Outdoor Murals, p. 284

• Kathrin Kinseher, Squeeze Up Close, p. 285

• Christina Milton O'Connell, A Simple Solution to a Complex Problem: The Consolidation of Joan Miró's Portrait of a Young Girl, p. 287

• Julia Nagle, Miguel d'Almeida, Conservation Treatment of Ultramarine Oil Paint on Michael Craig-Martin's Full Life, p. 288

• Grazia Nicosia, Eugene Leroy's Painting: A Moving Matter, p. 290

• Bronwyn A. Ormsby, Thomas J. S. Learner, Patricia Smithen, Thomas Wessel, Tate AXA Art Modern Paints Project: Evaluating the Effects of Cleaning Acrylic Paintings, p. 291

• Maria Teresa Pastor Valls, Maria del Carmen Perez Garcia, Alterations in Unvarnished Contemporary Paint in Spain: A Visual Approach, p. 292

• Ana Isabel Pereira, Stephan Schafer, Maria João Melo, Julian Sarmento, a Portuguese Artist at Work: Study of Just a Skin Affair (1988), p. 294

• Sarah Eleni Pinchi, Jia-sun Tsang, Fluor-S-Art, Northern Lites, DayGlo: Daylight Fluorescent Pigments, Their Development, Use, and Performance, p. 296

• William Shank, Timothy Drescher, Rescue Public Murals!, p. 297

• Michael Skalka, The Art Materials Collection and Study Center, p. 299

• Ioseba I. Soraluze Herrera, Rosario Llamas Pacheco, Materials, Techniques, and Artist's Intention in the Geometric Works of Jose Maria Yturralde, p. 300

• Iwona Szmelter, Andrzej Koss, Jan Marczak, Marek Strzelec, Problems with the Cleaning of Textured Modern Paintings, p. 300