A câmara obscura e a arte

O livro

Wolfgang Lefèvre (ed.), Inside the Camera Obscura – Optics and Art under the Spell of the Projected Image, Berlin, Max Planck Institute for the History of Science, 2007.

está livremente disponível aqui.

Índice:

• Wolfgang Lefèvre, The Optical Camera Obscura. A Short Exposition, p. 5

• Norma Wenczel, The Optical Camera Obscura. Images and Texts, p. 13

• Michael John Gorman, Projecting Nature in Early-Modern Europe, p. 31

• Abdelhamid I. Sabra, Alhazen's Optics in Europe: Some Notes on What It Said and What It Did Not Say, p. 53

• Sven Dupré, Playing with Images in a Dark Room Kepler's Ludi inside the Camera Obscura, p. 59

• Alan E. Shapiro, Images: Real and Virtual, Projected and Perceived, from Kepler to Dechales, p. 75

• Isabelle Pantin, "Res Aspectabilis Cujus Forma Luminis Beneficio per Foramen Transparet" - Simulachrum, Species, Forma, Imago: What was Transported by Light through the Pinhole?, p. 95

• Fokko Jan Dijksterhuis, Clair & Distinct. Seventeenth-Century Conceptualizations of the Quality of Images, p. 105

• Giuseppe Molesini, The Optical Quality of Seventeenth-Century Lenses, p. 117

• Tiemen Cocquyt, The Camera Obscura and the Availibility of Seventeenth Century Optics - Some Notes and an Account of a Test, p. 129

• Klaus Staubermann, Comments on 17th-Century Lenses and Projection, p. 141

• Carsten Wirth, The Camera Obscura as a Model of a New Concept of Mimesis in Seventeenth-Century Painting, p. 149

• Karin Groen, Painting Technique in the Seventeenth Century in Holland and the Possible Use of the Camera Obscura by Vermeer, p. 195

• Claudia Laurenze-Landsberg, Neutron-Autoradiography of two Paintings by Jan Vermeer in the Gemäldegalerie Berlin, p. 211

• Philip Steadman, Gerrit Dou and the Concave Mirror, p. 227

• Martin Kemp, Imitation, Optics and Photography. Some Gross Hypotheses, p. 243