Numa prestigiada colecção de história da arte – a Oxford History of Art – acabou de ser publicado um volume para o qual contribuem significativamente os aspectos materiais das obras de arte, designadamente os obtidos através de estudos laboratoriais. Trata-se de:
Susie Nash, Northern Renaissance Art, Oxford University Press, Oxford, 2008.
O volume encontra-se à venda com desconto em várias livrarias online, nomeadamente em The Book Depository, que não cobra os custos dos portes.
Índice:
- Introduction
- Problems and Perspectives
- Dispersal and destruction
- Italian perspectives
- Sources and documents
- Physical evidence and technical examination
- Markets for art: centres, products, and patrons
- Centres
- Products
- Patrons: importing art and artists
- Marketing art: artists and the contexts of creation
- The de Limbourgs in the service of jean de Berry
- Hans Memling painting panels in Bruges
- Printmakers in the Rhine Valley: inventing, marketing, and distributing images
- Declaring authorship and expertise: signatures and self-portraits
- Making images: equipment, materials, methods
- Workspace and equipment
- The workforce
- Materials, methods, and technical virtuosity
- Using and viewing
- Moving images
- Settings, vistas, and accoutrements for mass and prayer
- Meditation and imagination