terça-feira, 6 de outubro de 2009

Aplicações da espectrometria de massa orgânica na arte e na arqueologia

Acabou de ser publicado o seguinte livro:

Maria Perla Colombini, Francesca Modugno (ed.), Organic Mass Spectrometry in Art and Archaeology, Chichester, John Wiley & Sons, 2009.

Índice:

  • Maria Perla Colombini, Francesca Modugno, Organic Materials in Art and Archaeology, p. 3
  • Gianluca Giorgi, Overview of Mass Spectrometric Based Techniques Applied in the Cultural Heritage Field, p. 37
  • Erika Ribechini, Direct Mass Spectrometric Techniques: Versatile Tools to Characterise Resinous Materials, p. 77
  • Martine Regert, Direct Mass Spectrometry to Characterise Wax and Lipid Materials, p. 97
  • Patrick Dietemann, Christoph Herm, GALDI-MS Applied to Characterise Natural Varnishes and Binders, p. 131
  • Stepanka Kuckova, Radovan Hynek, Milan Kodicek, MALDI-MS Applied to the Analysis of Protein Paint Binders, p. 165
  • Maria Perla Colombini, Francesca Modugno, Erika Ribechini, GC/MS in the Characterization of Lipids, p. 191
  • Francesca Modugno, Erika Ribechini, GC/MS in the Characterisation of Resinous Materials, p. 215
  • Maria Perla Colombini, Gwénaëlle Gautier, GC/MS in the Characterisation of Protein Paint Binders, p. 237
  • Jean Bleton, Alain Tchapla, SPME/GC-MS in the Characterisation of Terpenic Resins, p. 261
  • Ilaria Bonaduce, Alessia Andreotti, Py-GC/MS of Organic Paint Binders, p. 303
  • Dominique Scalarone, Oscar Chiantore, Py-GC/MS of Natural and Synthetic Resins, p. 327
  • Katarzyna Lech, Katarzyna Polec-Pawlak, Maciej Jarosz, Characterization of Organic Natural Dyes by Electrospray Mass Spectrometry Coupled with HPLC and/or Capillary Electrophoresis, p. 365
  • Richard P. Evershed, Compound-specific Stable Isotopes in Organic Residue Analysis in Archaeology, p. 391
  • Vincent Mazel, Pascale Richardin, ToF-SIMS Study of Organic Materials in Cultural Heritage: Identification and Chemical Imaging, p. 433
  • Mariaelena Fedi, Accelerator Mass Spectrometry for 14C Dating, p. 459

O primeiro capítulo está livremente disponível aqui.

Comentários: