O comércio dos materiais para artistas na Europa antes de 1700

Foi há pouco publicado o seguinte livro:

Jo Kirby, Susan Nash, Joanna Cannon (ed.), Trade in Artists' Materials. Markets and Commerce in Europe to 1700, London, Archetype Publications, 2010.

Índice:

• Catherine Reynolds, Introduction: The European Trade in Painters' Materials to 1700, p. 3

• Peter Spufford, Lapis, Indigo, Woad: Artists' Materials in the Context of International Trade before 1700, p. 10

• Wendy R. Childs, Painters' Materials and the Northern International Trade Routes of Late Medieval Europe, p. 29

• Ian Tyers, Aspects of the European Trade in Oak Boards to England 1200-1700, p. 42

• Per G. Norseng, The Trade in Painters' Materials in Norway in the Middle Ages. Part 1: The 'Silent' Trade in Painters' Materials in Norway in the High Middle Ages, p. 50

• Unn Plahter, The Trade in Painters' Materials in Norway in the Middle Ages. Part 2: Materials, Techniques and Trade from the Twelfth Century to the Mid-Fourteenth Century, p. 64

• Julia A. DeLancey, Shipping Colour: Valute, Pigments, Trade and Francesco di Marco Datini, p. 74

• Kim Woods, The Supply of Alabaster in Northern and Mediterranean Europe in the Later Middle Ages, p. 86

• Susie Nash, 'Pour couleurs et autres choses prise de lui …': The Supply, Acquisition, Cost and Employment of Painters' Materials at the Burgundian Court, c. 1375-1419, p. 97

• Lorne Campbell, Suppliers of Artists' Materials to the Burgundian Court, p. 183

• Doris Oltrogge, 'Pro lazurio auricalco et alii correquisitis pro illuminacione': The Werden Accounts and other Sources on the Trade in Manuscript Materials in the Lower Rhineland and Westphalia around 1500, p. 189

• Anna Melograni, Manuscript Materials: Cost and the Market for Parchment in Renaissance Italy, p. 199

• Susanne Kubersky-Piredda, The Market for Painters' Materials in Renaissance Florence, p. 223

• Louisa C. Matthew, Barbara H. Berrie, 'Memoria de colori che bisognino torre a vinetia': Venice as a Centre for the Purchase of Painters' Colours, p. 245

• Roland Krischel, The Inventory of the Venetian Vendecolori Jacopo de' Benedetti: The Non-Pigment Materials, p. 253

• Steve Wharton, The Materials of Production in Italian Renaissance Pottery: The Inventory of Francesco di Luca, Orciolaio, p. 267

• Richard E. Spear, A Century of Pigment Prices: Seventeenth-Century Italy, p. 275

• Gunnar Heydenreich, The Leipzig Trade Fairs as a Market for Painters' Materials in the Sixteenth Century, p. 297

• Andreas Burmester, Ursula Haller, Christoph Krekel, Pigmenta et Colores: The Artist's Palette in Pharmacy Price Lists from Liegnitz (Silesia), p. 314

• Ursula Haller, 'Administrator of Painting': The Purchase and Distribution Book of Wolf Pronner (1586-1590) as a Source for the History of Painting Materials, p. 325

• Jo Kirby, Trade in Painters' Materials in Sixteenth-Century London, p. 339

• Filip Vermeylen, The Colour of Money: Dealing in Pigments in Sixteenth-Century Antwerp, p. 356

• Ria Fabri, 'Eenen ramenant van verf ende pinselen': Some Aspects of the Materials used by Seventeenth-Century Cabinet Painters in Antwerp, p. 366

• Maria Hayward, The London Linen Trade, 1509-1641, and the Use of Linen by Painters in Royal Service, p. 375

• Zahira Véliz, In Quest of a Useful Blue in Early Modern Spain, p. 389

• Nicola Costaras, Early Modern Blues: The Smalt Patent in Context, p. 401

• Ad Stijnman, Frankfurt Black: 'Tryginon appelantes, faex vini arefacta et cocta in fornace', p. 415

• Daniel Fabian, Giuseppino Fortunato, Tracing White: A Study of Lead White Pigments found in Seventeenth-Century Paintings using High Precision Lead Isotope Abundance Ratios, p. 426

• Jo Kirby, Glossary, p. 447