A espectrosocopia de Raman aplicada à arte e à arqueologia

A revista Journal of Raman Spectroscopy, volume 41, n.º 11, de 2010, que acabou de ser publicada, é integralmente dedicada ao tema: Raman spectroscopy in art and archaecology.

Está disponível aqui [acesso condicionado].

Índice:

• Juan Manuel Madariaga, Raman spectroscopy in art and archaeology, pp. 1099-1103

• Antonio Hernanz, Juan F. Ruiz-lópez, José M. Gavira-vallejo, Santiago Martin, Egor Gavrilenko, Raman microscopy of prehistoric rock paintings from the Hoz de Vicente, Minglanilla, Cuenca, Spain, pp. 1104-1109

• M. Maguregui, U. Knuutinen, K. Castro, J. M. Madariaga, Raman spectroscopy as a tool to diagnose the impact and conservation state of Pompeian second and fourth style wall paintings exposed to diverse environments (House of Marcus Lucretius), pp. 1110-1119

• Odile Cristini, Christophe Kinowski, Sylvia Turrell, A detailed micro-Raman spectroscopic study of wall paintings of the period AD 100–200: effect of atmospheric conditions on the alteration of samples, pp. 1120-1127

• Robin J. H. Clark, Richard R. Hark, Nati Salvadó, Salvador Butí, Trinitat Pradell, Spectroscopy study of mural paintings from the Pyrenean Church of Saint Eulàlia of Unha, pp. 1128-1134

• Céline Rémazeilles, Mandana Saheb, Delphine Neff, Elodie Guilminot, Khoi Tran, Jacques-andré Bourdoiseau, René Sabot, Marc Jeannin, Henning Matthiesen, Philippe Dillmann, Philippe Refait, Microbiologically influenced corrosion of archaeological artefacts: characterisation of iron(II) sulfides by Raman spectroscopy, pp. 1135-1143

• Maurizio Aceto, Angelo Agostino, Enrico Boccaleri, Fabrizio Crivello, Anna Cerutti Garlanda, Identification of copper carboxylates as degradation residues on an ancient manuscript, pp. 1144-1150

• Sabina Kramar, Maja Urosevic, Helmut Pristacz, Breda Mirtic, Assessment of limestone deterioration due to salt formation by micro-Raman spectroscopy: application to architectural heritage, pp. 1151-1158

• Pan, E. Rebollar, S. Chiussi, J. Serra, P. González, B. León, Optimisation of Raman analysis of walnut oil used as protective coating of Galician granite monuments, pp. 1159-1164

• Z. Jurasekova, E. Del Puerto, G. Bruno, J. V. García-ramos, S. Sanchez-cortes, C. Domingo, Extractionless non-hydrolysis surface-enhanced Raman spectroscopic detection of historical mordant dyes on textile fibers, pp. 1165-1171

• Polonca Ropret, Costanza Miliani, Silvia A. Centeno, Crtomir Tavzes, Francesca Rosi, Advances in Raman mapping of works of art, pp. 1172-1177

• M. San Andrés, De La Roja, J. M., V. G. Baonza, N. Sancho, Verdigris pigment: a mixture of compounds. Input from Raman spectroscopy, pp. 1178-1186

• Michel Bouchard, Alessa Gambardella, Raman microscopy study of synthetic cobalt blue spinels used in the field of art, pp. 1187-1195

• Natalia Navas, Julia Romero-pastor, Eloisa Manzano, Carolina Cardell, Raman spectroscopic discrimination of pigments and tempera paint model samples by principal component analysis on first-derivative spectra, pp. 1196-1203

• Céline Daher, Céline Paris, Anne-solenn Le Hô, Ludovic Bellot-gurlet, Jean-philippe Échard, A joint use of Raman and infrared spectroscopies for the identification of natural organic media used in ancient varnishes, pp. 1204-1209

• Deneckere, F.-ph. Hocquet, A. Born, P. Klein, S. Rakkaa, S. Lycke, K. De Langhe, M. P. J. Martens, D. Strivay, P. Vandenabeele, L. Moens, Direct analysis of the central panel of the so-called Wyts triptych after Jan van Eyck, pp. 1210-1219

• Sofia Pessanha, Maria Luisa Carvalho, Maria Isabel Cabaço, Sara Valadas, Jean-luc Bruneel, Marcel Besnard, Maria Isabel Ribeiro, Characterization of two pairs of 16th century Nanbam folding screens by Raman, EDXRF and FTIR spectroscopies, pp. 1220-1226

• Ainhoa Rodríguez, Katherine Eremin, Narayan Khandekar, Jens Stenger, Richard Newman, Fernando Bazeta, María Teresa Escohotado, Characterization of calcium sulfate grounds and fillings of applied tin-relief brocades by Raman spectroscopy, Fourier transform infrared spectroscopy, and scanning electron microscopy, pp. 1227-1234

• Steven Saverwyns, Russian avant-garde… or not? A micro-Raman spectroscopy study of six paintings attributed to Liubov Popova, pp. 1235-1242

• Howell G. M. Edwards, Janet Montgomery, Nigel D. Melton, Michael D. Hargreaves, Andrew S. Wilson, Elizabeth A. Carter, Gristhorpe Man: a Raman spectroscopic study of ‘mistletoe berries’ in a Bronze Age log coffin burial, pp. 1243-1246

• Irene Aliatis, Danilo Bersani, Elisa Campani, Antonella Casoli, Pier Paolo Lottici, Silvia Mantovan, Iari-gabriel Marino, Pigments used in Roman wall paintings in the Vesuvian area, pp. 1247-1252

• M. Olivares, M. C. Zuluaga, L. A. Ortega, X. Murelaga, A. Alonso-olazabal, M. Urteaga, L. Amundaray, I. Alonso-martin, N. Etxebarria, Characterisation of fine wall and eggshell Roman pottery by Raman spectroscopy, pp. 1253-1259

• Y. Leon, C. Lofrumento, A. Zoppi, R. Carles, E. M. Castellucci, Ph. Sciau, Micro-Raman investigation of terra sigillata slips: a comparative study of central Italian and southern Gaul productions, pp. 1260-1265

• D. Bersani, P. P. Lottici, S. Virgenti, A. Sodo, G. Malvestuto, A. Botti, E. Salvioli-mariani, M. Tribaudino, F. Ospitali, M. Catarsi, Multi-technique investigation of archaeological pottery from Parma (Italy), pp. 1266-1271