Willem de Kooning - Os materiais do artista
Foi há pouco publicado o seguinte livro:
Susan F. Lake, Willem de Kooning. The Artist's Materials, Los Angeles, The Getty Conservation Institute, 2010.
Índice:
- De Kooning in Perspective, p. 5
- Biographical Overview
- De Kooning's Personal Statements and Interviews
- Critical Reception of de Kooning's Paintings
- Literature on de Kooning's Materials and Working Methods
- Paintings of the Late 1940s and 1950s, p. 19
- Early Representations of the Female Figure: Queen of Hearts (1943-46)
- Colored Abstractions: Special Delivery (1946) and Secretary (1948)
- Black-and-white Paintings: Zurich (1947)
- Women Paintings: Woman (1948), Woman (1953), and Two Women in the Country (1954)
- "Painting Situations"
- Paintings of the 1960s, p. 48
- Abstract Landscapes: Untitled (May 1962)
- Return to the Figure: Two Standing Women (1963-64), Woman (1964), and Sphinx (1964)
- The Door Paintings: Woman, Sag Harbor (1964), Woman (1964), and Woman (1965)
- De Kooning in Context
- Analysis of de Kooning's Media in Paintings from the 1960s and 1970s, p. 72
- Chemistry of Drying Oils
- Paint Mock-ups
- Solvent Extraction Studies
- Glycerol and Fatty Acid Measurements
- Effects of Pigments
- Conservation Implications of de Kooning's Painting Techniques
- Appendixes, p. 81
- Tables
- Methods of Sample Preparation
- Works of Art Examined
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