sexta-feira, 13 de abril de 2012

Conservação de tapeçarias e bordados

O seguinte livro foi agora disponibilizado online com acesso livre:

The Conservation of Tapestries and Embroideries, Marina del Rey, The Getty Conservation Institute, 1989.

Reúne as comunicações apresentadas num encontro que se realizou no Institut Royal du Patrimoine Artistique, em Bruxelas, em 1987.

Está aqui.

Índice:

  • Juliette De boeck, Vera Vereecken, Tatiana Reicher, The Conservation of Embroideries at the Institut Royal du Patrimoine Artistique, p. 5
  • Mechthild Flury-Lemberg, The Restoration of the Antependium of the Musée Paul Dupuy in Toulouse, p. 11
  • Rotraud Bauer, The Burgundian Vestments, p. 17
  • Francesco Pertegato, Three Embroidered Pilaster Panels from the Church of San Pietro at Broni, p. 25
  • Marie Schoefer, Eric Houpeaux, Restoration of a Seventeenth-Century Chasuble at the Musee Historique des Tissus in Lyons, p. 33
  • Marie Schoefer, Denise Lestoquoit, The Restoration of a Twelfth-Century Liturgical Sandal at the Musée Historique des Tissus in Lyons, p. 41
  • Stephen Cousens, Second Sight: Further Investigation into the Construction of Ecclesiastical Embroideries and Tapestries, p. 49
  • Nobuko Kajitani, Conservation Maintenance of Tapestries at The Metropolitan Museum of Art, 1987, p. 53
  • Karen Finch, Tapestries: Conservation and Original Design, p. 67
  • André Brutillot, Conservation of a Fifteenth-Century Tapestry from Franconia, p. 75
  • Loretta Dolcini, The Tapestries of the Sala dei Duecento in the Palazzo Vecchio, p. 81
  • R. Bruce Hutchison, Gluttony and Avarice: Two Different Approaches, p. 89
  • Ksynia Marko, Two Case Histories: A Seventeenth-Century Antwerp Tapestry and an Eighteenth-Century English Soho Tapestry, p. 95
  • Yvan Maes, The Conservation/Restoration of the Sixteenth-Century Tapestry The Gathering of the Manna, p. 103
  • Juliette De boeck, Michelle De Bruecker, Chantel Carpentier, Kathrijn Housiaux, The Treatment of Two Sixteenth-Century Tapestries at the Institut Royal du Patrimoine Artistique, p. 113

O restauro de obras de arte na Europa cerca de 1800

Acabou de ser publicado um número extra-série da revista digital CeROArt – Conservation, exposition, Restauration d'Objets d'Art que tem como título: “La restauration des oeuvres d'art en Europe entre 1789 et 1815: pratiques, transferts, enjeux”.

A revista, com acesso livre, está aqui.

Índice:

  • Léonie Hénaut, Préface. Restauration, spoliations et controverses
  • Noémie Étienne, Introduction. La restauration en Europe de 1789 à 1815 : entre politique et philosophie
  • Francesca Lui, L'École de Bologne passée au crible. Déplacements, restaurations et mesures de protection des œuvres d'art à l'époque de Napoléon (1796-1815)
  • Natalia Gustavson, Retracing the restoration history of Viennese paintings in the Musée Napoléon (1809-1815)
  • Alice Hoppe-Harnoncourt, The Restoration of Paintings at the Beginning of the Nineteenth Century in the Imperial Gallery
  • Mariam Nikogosyan, The Restoration of Paintings at the Imperial Hermitage (Saint-Petersburg) at the Beginning of the 19th Century
  • Robert Skwirblies, Restoration of artworks in the Berlin royal picture collection between 1797 and 1830. Internationalization, professionalization, institutionalization
  • Cathleen Hoeniger, The Art Requisitions by the French under Napoléon and the Detachment of Frescoes in Rome, with an Emphasis on Raphael
  • Capucine Lemaître, Les premières sauvegardes de mosaïques antiques en France. Genèse et développement d'une pratique
  • Janusz Krawczyk, La question de l'authenticité des meubles et le problème de leur conservation dans le premier musée polonais de Pulawy
  • Claudia Keller, The Beholder's Hurt Feeling. Johann Heinrich Meyer's Critical Discussion of Restoration
  • Astrid Fendt, La non-restauration des statues antiques berlinoises à Paris

Studies in Conservation, vol. 57, n.º 2, 2012

Acabou de ser pubicada a revista Studies in Conservation, vol. 57, n.º 2, de 2012.

Índice:

  • Meili Yang, Amy M. Winkler, Justin Klein, Jennifer K. Barton, Using optical coherence tomography to characterize thick-glaze structure: Chinese Southern Song Guan glaze case study, pp. 67-75
  • Pia Gottschaller, Narayan Khandekar, Lynn F. Lee, Daniel P. Kirby, The evolution of Lucio Fontana's painting materials, pp. 76-91
  • Oscar Chiantore, Rebecca Ploeger, Tommaso Poli, Barbara Ferriani, Materials and techniques in the pictorial oeuvre of Lucio Fontana, pp. 92-105
  • Lei Yong, Copper trihydroxychlorides as pigments in China, pp. 106-111
  • Virginia Costa, Dominique de Reyer, Maria Betbeder, A note on the analysis of metal threads, pp. 112-115
  • Kate Bailey, A note on Prussian blue in nineteenth-century Canton, pp. 116-121