Investigação realizada nos cursos de Conservação e Restauro

Foi há poucos dias publicado um número extra-série (“EGG-2012 – Parcours”) da revista CeROArt que apresenta estudos feitos no âmbito de cursos de conservação e restauro de diversas escolas europeias, entre as quais duas escolas portuguesas (Instituto Politécnico de Tomar e Universidade Católica).

A revista está aqui, com acesso livre.

Índice:

• Muriel Verbeeck-Boutin, Introduction

• René Hoppenbrouwers, Conservation-Restoration education and the development of the profession

• Florian Gaget, Modèles artificiels en plâtre polychromé, étude et restauration. Préparations anatomiques de chimpanzé et d'orang-outang moulées sur nature

• Élodie Beaubier, Histoire d'os : Étude et restauration de deux boîtes ostéologiques

• Rita Macedo Moreira, Conservation issues of large rolled paintings on the Portuguese altarpieces

• Sven Van Dorst, Convex pillar paintings in church interiors: context, materials and conservation problems

• Elodie Dehaut, L'Enlèvement d'Hélène : restauration d'une majolique d'Urbino

• Elisabeth Venault de Bourleuf, Caractérisation du phénomène de brunissement du vitrail et évaluation de traitements de réduction

• Marta Oliveira, Study of the degradation of 18th century alabaster sculptures through accelerated aging on test samples

• Helena Pereira, Saint John at Calvary: technical and material study of a polychrome wood sculpture

• Jelena Zagora, SEM-EDX Pigment Analysis and Multi-Analytical Study of the Ground and Paint layers of Francesco Fedrigazzi's painting from Kostanje

• Sylwia Kudla, Technology and technique of the newly revealed 15th-century mural paintings in Marianka near Paslek (north Poland)

• Nadège Duqueyroix, Étude et traitement de deux cartes portulans. Conservation-restauration et montage adaptés à l'hygroscopicité du parchemin

• Lara Meersseman, Étude du comportement mécanique d'une reliure de la fin du XVe siècle - Le Missel de Cambrai

• Monika Supruniuk, Issues of conservation and restoration of two photographic works by Zbigniew Dlubak: Onona and Desymbolisations

• Marie Courseaux, Trans Europe Express, étude et restauration d'une œuvre de Dorothée Selz. Problèmes liés à la conservation-restauration de matériaux atypiques en art contemporain

• Paolo Gili, Awareness in rolling, research about its effects and use of polyurethane memory foam. Studies about an oversize contemporary canvas painting: Notte barbara by Pinot Gallizio

• Elena Pratali, Zinc oxide grounds in 19th and 20th century oil paintings and their role in picture degradation processes. Literary review, paint failure mechanisms and conditions of potential risk

• Aurélie Compère, L'assemblage par collage d'œuvres d'art contemporain en PMMA. Structure Optique A (1968) de Martha Boto

• Giulia Rollo, Testing on mock-ups and on paintings of innovative polymeric gels for surface cleaning

• Manon D'haenens, La pénétration des adhésifs de doublage. Méthode d'évaluation et recherche des facteurs d'influence

• Daniele Costantini, Cold Lining and Mist Lining: insights and possibilities of adaptation to the mediterranean climate

• Aude Briau, Joseph Fouque (1755-1819) rentoileur de tableaux au Musée du Louvre. Contribution à l'histoire de la restauration des peintures