quinta-feira, 17 de março de 2011

Uso da química analítica no estudo do património cultural

Um dos últimos números da revista Analytical and Bioanalytical Chemistry é um número temático parcialmente dedicado a “Analytical Chemistry in Cultural Heritage”. Trata-se do volume 399, n.º 9, de 2011.

Índice (da parte respeitante ao tema):

  • Rocco Mazzeo, Aldo Roda, Silvia Prati, Analytical chemistry for cultural heritage: a key discipline in conservation research, pp. 2885-2887
  • Giorgia Sciutto, Luisa Dolci, Angela Buragina, Silvia Prati, Massimo Guardigli, Rocco Mazzeo, Aldo Roda, Development of a multiplexed chemiluminescent immunochemical imaging technique for the simultaneous localization of different proteins in painting micro cross-sections, pp. 2889-2897
  • Edith Joseph, Anaële Simon, Silvia Prati, Marie Wörle, Daniel Job, Rocco Mazzeo, Development of an analytical procedure for evaluation of the protective behaviour of innovative fungal patinas on archaeological and artistic metal artefacts, pp. 2899-2907
  • F. Casadio, S. Xie, S. Rukes, B. Myers, K. Gray, R. Warta, I. Fiedler, Electron energy loss spectroscopy elucidates the elusive darkening of zinc potassium chromate in Georges Seurat’s <b><i>A Sunday on La Grande Jatte—1884</i></b>, pp. 2909-2920
  • María Doménech-Carbó, Miguel Silva, Elvira Aura-Castro, Laura Fuster-López, Stephan Kröner, María Martínez-Bazán, Xavier Más-Barberá, Marion Mecklenburg, Laura Osete-Cortina, Antonio Doménech, José Gimeno-Adelantado, Dolores Yusá-Marco, Study of behaviour on simulated daylight ageing of artists’ acrylic and poly(vinyl acetate) paint films, pp. 2921-2937
  • Massimo Lazzari, Ana Ledo-Suárez, Thaïs López, Dominique Scalarone, M. López-Quintela, Plastic matters: an analytical procedure to evaluate the degradability of contemporary works of art, pp. 2939-2948
  • N. Prieto-Taboada, M. Maguregui, I. Martinez-Arkarazo, M. Olazabal, G. Arana, J. Madariaga, Spectroscopic evaluation of the environmental impact on black crusted modern mortars in urban–industrial areas, pp. 2949-2959
  • Francesca Toja, Austin Nevin, Daniela Comelli, Marinella Levi, Rinaldo Cubeddu, Lucia Toniolo, Fluorescence and Fourier-transform infrared spectroscopy for the analysis of iconic Italian design lamps made of polymeric materials, pp. 2977-2986
  • Emidio Albertini, Lorenzo Raggi, Manuela Vagnini, Alessandro Sassolini, Alessandro Achilli, Gianpiero Marconi, Laura Cartechini, Fabio Veronesi, Mario Falcinelli, Brunetto Brunetti, Costanza Miliani, Tracing the biological origin of animal glues used in paintings through mitochondrial DNA analysis, pp. 2987-2995
  • Julie Arslanoglu, Stephanie Zaleski, John Loike, An improved method of protein localization in artworks through SERS nanotag-complexed antibodies, pp. 2997-3010
  • M. Palmieri, Manuela Vagnini, L. Pitzurra, P. Rocchi, B. Brunetti, A. Sgamellotti, L. Cartechini, Development of an analytical protocol for a fast, sensitive and specific protein recognition in paintings by enzyme-linked immunosorbent assay (ELISA), pp. 3011-3023
  • Loïc Bertrand, Laurianne Robinet, Serge Cohen, Christophe Sandt, Anne-Solenn Le Hô, Balthazar Soulier, Agnès Lattuati-Derieux, Jean-Philippe Echard, Identification of the finishing technique of an early eighteenth century musical instrument using FTIR spectromicroscopy, pp. 3025-3032
  • Wantana Klysubun, Yatima Thongkam, Sorapong Pongkrapan, Krit Won-in, Jiraroj T-Thienprasert, Pisutti Dararutana, XAS study on copper red in ancient glass beads from Thailand, pp. 3033-3040
  • Nati Salvadó, Salvador Butí, Ana Labrador, Gianfelice Cinque, Hermann Emerich, Trinitat Pradell, SR-XRD and SR-FTIR study of the alteration of silver foils in medieval paintings, pp. 3041-3052
  • Sophie Dallongeville, Nicolas Garnier, Dario Casasola, Michel Bonifay, Christian Rolando, Caroline Tokarski, Dealing with the identification of protein species in ancient amphorae, pp. 3053-3063
  • Dimitrios Mantzouris, Ioannis Karapanagiotis, Lemonia Valianou, Costas Panayiotou, HPLC–DAD–MS analysis of dyes identified in textiles from Mount Athos, pp. 3065-3079
  • Silvia Prati, Giorgia Sciutto, Rocco Mazzeo, Cristian Torri, Daniele Fabbri, Application of ATR-far-infrared spectroscopy to the analysis of natural resins, pp. 3081-3091
  • Adriana Rizzo, Nobuko Shibayama, Daniel Kirby, A multi-analytical approach for the identification of aloe as a colorant in oil–resin varnishes, pp. 3093-3107
  • François-Philippe Hocquet, Helena Calvo del Castillo, Ariadna Cervera Xicotencatl, Catherine Bourgeois, Cécile Oger, André Marchal, Mathieu Clar, Saïd Rakkaa, Edith Micha, David Strivay, Elemental 2D imaging of paintings with a mobile EDXRF system, pp. 3109-3116
  • Noemi Proietti, Federica Presciutti, Valeria Di Tullio, Brenda Doherty, Anna Marinelli, Barbara Provinciali, Nicola Macchioni, Donatella Capitani, Costanza Miliani, Unilateral NMR, 13C CPMAS NMR spectroscopy and micro-analytical techniques for studying the materials and state of conservation of an ancient Egyptian wooden sarcophagus, pp. 3117-3131
  • Francesca Rosi, Arianna Federici, Brunetto Brunetti, Antonio Sgamellotti, Sergio Clementi, Costanza Miliani, Multivariate chemical mapping of pigments and binders in easel painting cross-sections by micro IR reflection spectroscopy, pp. 3133-3145
  • Fabrizio Bardelli, Germana Barone, Vincenza Crupi, Francesca Longo, Domenico Majolino, Paolo Mazzoleni, Valentina Venuti, Combined non-destructive XRF and SR-XAS study of archaeological artefacts, pp. 3147-3153

Os artigos estão disponíveis aqui (acesso condicionado).

Comentários:

Miguel A. :

Caro António Jõao;

sou técnico superior de restauro de arte em Espanha (nomeadamente em Extremadura) e há tempos que leio o seu blog.Queria felicita-lo pelo seu excelente trabalho que acho extraordinário e extremamaente útil. Os meus parabéns.

Pessoalmente estou interessado nos métodos científicos da análise do património cultural.

Atenciosamente

Miguel Ángel