Um segundo manual de Manuel de Macedo, o Manual de Pintura, é o 43.º volume da biblioteca digital de antigos tratados técnicos em português, que acabei de colocar online:
Manuel de Macedo, Manual de Pintura, Lisboa, Companhia Nacional Editora, 1898.
Mais uma vez, tanto quanto sei, esta é a única cópia digital da internet.
Está aqui, com acesso livre.
Foi há poucos dias publicado um número extra-série (“EGG-2012 – Parcours”) da revista CeROArt que apresenta estudos feitos no âmbito de cursos de conservação e restauro de diversas escolas europeias, entre as quais duas escolas portuguesas (Instituto Politécnico de Tomar e Universidade Católica).
A revista está aqui, com acesso livre.
Índice:
- Muriel Verbeeck-Boutin, Introduction
- René Hoppenbrouwers, Conservation-Restoration education and the development of the profession
- Florian Gaget, Modèles artificiels en plâtre polychromé, étude et restauration. Préparations anatomiques de chimpanzé et d'orang-outang moulées sur nature
- Élodie Beaubier, Histoire d'os : Étude et restauration de deux boîtes ostéologiques
- Rita Macedo Moreira, Conservation issues of large rolled paintings on the Portuguese altarpieces
- Sven Van Dorst, Convex pillar paintings in church interiors: context, materials and conservation problems
- Elodie Dehaut, L'Enlèvement d'Hélène : restauration d'une majolique d'Urbino
- Elisabeth Venault de Bourleuf, Caractérisation du phénomène de brunissement du vitrail et évaluation de traitements de réduction
- Marta Oliveira, Study of the degradation of 18th century alabaster sculptures through accelerated aging on test samples
- Helena Pereira, Saint John at Calvary: technical and material study of a polychrome wood sculpture
- Jelena Zagora, SEM-EDX Pigment Analysis and Multi-Analytical Study of the Ground and Paint layers of Francesco Fedrigazzi's painting from Kostanje
- Sylwia Kudla, Technology and technique of the newly revealed 15th-century mural paintings in Marianka near Paslek (north Poland)
- Nadège Duqueyroix, Étude et traitement de deux cartes portulans. Conservation-restauration et montage adaptés à l'hygroscopicité du parchemin
- Lara Meersseman, Étude du comportement mécanique d'une reliure de la fin du XVe siècle - Le Missel de Cambrai
- Monika Supruniuk, Issues of conservation and restoration of two photographic works by Zbigniew Dlubak: Onona and Desymbolisations
- Marie Courseaux, Trans Europe Express, étude et restauration d'une œuvre de Dorothée Selz. Problèmes liés à la conservation-restauration de matériaux atypiques en art contemporain
- Paolo Gili, Awareness in rolling, research about its effects and use of polyurethane memory foam. Studies about an oversize contemporary canvas painting: Notte barbara by Pinot Gallizio
- Elena Pratali, Zinc oxide grounds in 19th and 20th century oil paintings and their role in picture degradation processes. Literary review, paint failure mechanisms and conditions of potential risk
- Aurélie Compère, L'assemblage par collage d'œuvres d'art contemporain en PMMA. Structure Optique A (1968) de Martha Boto
- Giulia Rollo, Testing on mock-ups and on paintings of innovative polymeric gels for surface cleaning
- Manon D'haenens, La pénétration des adhésifs de doublage. Méthode d'évaluation et recherche des facteurs d'influence
- Daniele Costantini, Cold Lining and Mist Lining: insights and possibilities of adaptation to the mediterranean climate
- Aude Briau, Joseph Fouque (1755-1819) rentoileur de tableaux au Musée du Louvre. Contribution à l'histoire de la restauration des peintures
Acabou de ser publicada a revista Journal of Cultural Heritage, vol. 14, n.º 3, de 2013.
Está aqui, com aceso condicionado.
Índice:
- Shaochun Dong, Xiaoqi Wang, Hongwei Yin, Shijin Xu, Ronghan Xu, Semantic enhanced WebGIS approach to visualize Chinese historical natural hazards, pp. 181-189
- Gianfranco Bianco, Fabio Bruno, Maurizio Muzzupappa, Multispectral data cube acquisition of aligned images for document analysis by means of a filter-wheel camera provided with focus control, pp. 190-200
- Matteo Dellepiane, Nicolò Dell’Unto, Marco Callieri, Stefan Lindgren, Roberto Scopigno, Archeological excavation monitoring using dense stereo matching techniques, pp. 201-210
- Luca Zan, Sara Bonini Baraldi, The heritage chain management. General issues and a case study, China, pp. 211-218
- Manuel Jonas Steinbauer, Andreas Gohlke, Christine Mahler, Andreas Schmiedinger, Carl Beierkuhnlein, Quantification of wall surface heterogeneity and its influence on species diversity at medieval castles – implications for the environmentally friendly preservation of cultural heritage, pp. 219-228
- Sungyoon Jang, Byeongjik Nam, Daewoo Park, Hyoyun Kim, Chan Hee Lee, Jae Eun Yu, Desalination characteristics for ceramics excavated from Taean shipwreck, Korea, pp. 229-237
- Agnès Lattuati-Derieux, Céline Egasse, Sylvie Thao-Heu, Nathalie Balcar, Gilles Barabant, Bertrand Lavédrine, What do plastics emit? HS-SPME-GC/MS analyses of new standard plastics and plastic objects in museum collections, pp. 238-247
- Jose Herráez, Jose Luis Denia, Pablo Navarro, Luis Bosch, Ignacio Bosch, Design and calibration of a drill-guided system by laser for structural strengthening of historic bridge, pp. 248-253
- Flavio Deflorian, Michele Fedel, Electrochemical analysis of the degradation of lead alloy organ-pipes due to acetic acid, pp. 254-260
- Abeer Arafat, Maram Na’es, Vicky Kantarelou, Naseem Haddad, Anastasia Giakoumaki, Vasilike Argyropoulos, Demetrios Anglos, Andreas-Germanos Karydas, Combined in situ micro-XRF, LIBS and SEM-EDS analysis of base metal and corrosion products for Islamic copper alloyed artefacts from Umm Qais museum, Jordan, pp. 261-269
- Bernardo Rondelli, Sebastian Stride, Juan José García-Granero, Soviet military maps and archaeological survey in the Samarkand region, pp. 270-276
No mês passado surgiu uma nova revista dedicada ao estudo laboratorial do património cultural. Chama-se Heritage Science, é em formato digital, tem acesso livre e os artigos, sem periodicidade, vão saindo isoladamente, apenas agrupados por ano.
Até ao momento, além do editorial, já saíram 13 artigos. Estão aqui.
Os assuntos que se enquadram no âmbito da revista são os seguintes:
- Understanding of the manufacturing processes, provenances, and environmental contexts of material types, objects, and buildings, of cultural significance including their historical significance.
- Understanding and prediction of physico-chemical and biological degradation processes of cultural artefacts, including climate change, and predictive heritage studies.
- Development and application of analytical and imaging methods or equipments for non-invasive, non-destructive or portable analysis of artwork and objects of cultural significance to identify component materials, degradation products and deterioration markers.
- Development and application of invasive and destructive methods for understanding the provenance of objects of cultural significance.
- Development and critical assessment of treatment materials and methods for artwork and objects of cultural significance.
- Development and application of statistical methods and algorithms for data analysis to further understanding of culturally significant objects.
- Publication of reference and corpus datasets as supplementary information to the statistical and analytical studies above.
- Description of novel technologies that can assist in the understanding of cultural heritage.
O 42.º volume da biblioteca digital de antigos tratados técnicos em português, que acabei de colocar online, é o seguinte:
Manuel de Macedo, Desenho e Pintura, Lisboa, Companhia Nacional Editora, 1898.
Tanto quanto sei, até este momento não havia nenhuma cópia digital disponível na internet.
Está aqui, com acesso livre.
O 41.º volume da biblioteca digital de antigos tratados técnicos em português corresponde a um tratado de miniatura escrito em finais dos século XVIII, mas que só foi publicado em 1814, após a morte do seu autor, dividido por cinco números de uma revista de Coimbra:
José Mendes de Saldanha, "Breve tratado de miniatura", Jornal de Coimbra, 1814.
Tanto quanto sei, é a única cópia digital disponível na internet em que estão reunidas as cinco partes.
Está aqui, com acesso livre.
Acabou de ser publicada a revista digital e-Conservation, n.º 25, de 2013.
Está disponível aqui, com acesso livre.
Índice:
- Seth Irwin, Paper Conservation in the Far North: A Project Summary from Alaska, p. 38
- Marco Gargano, Duilio Bertani, Infrared Reflectography: Test of a Panoramic Scanning Technique, p. 53
- Antonino Cosentino, A Practical Guide to Panoramic Multispectral Imaging, p. 64
- Eleni Kotoula, Maria Kyranoudi, Study of Ancient Greek and Roman Coins Using Reflectance Transformation Imaging, p. 74
- Angeliki Bakalarou, Charis Theodorakopoulos, Cleaning of Water-gilded Surfaces Using Hydro- and Solvent-gels: a 19th Century Egg Tempera Panel Painting Case Study, p. 89
- Osama El-Feky, Mohammad Hassan, A New Method for Cleaning Oil Paintings Using Zinc Oxide Nanoparticles, p. 106
- Mark Gilberg, Silviu Boariu, Steve Colton, John Hirx, Jeff Ono, The Resurrection of Nam June Paik's Video Flag Z, p. 116
- Lynda Skipper, Conservation of Wallpapers from St Pancras Chambers, p. 128
- Tatiana Kousoulou, Epitrachelion, Epigonation, Epimanikia: Conservation and Display of the Most Treasured Accessories of the Christian Orthodox Vestments, p. 138
- Nabil A. AbdEl-Tawab, Anwar F. Mahran, Conservation of the Mural Stucco Ornaments of the Mausoleum of Emir Ulmas al-Hagib in Cairo, Egypt, p. 153
- Ibrahim Mohamed Abdallah, Nabil A. AbdEl-Tawab, Effects of the Groundwater on Deterioration of the Catacombs of Kom El-Shoqafa, Alexandria, Egypt, p. 168
- Dimitrios Chatzigiannis, Rethinking Vandalism: Alternative Interpretations of Deliberate Destruction of Cultural Heritage, p. 182
- Lynda Skipper, Brenda Keneghan, Assessment of Plastics in the National Trust - a Case Study at Mr Straws House, p. 196
Acabou de ser publicada a revista Journal of the American Institute for Conservation, vol. 52, n.º 2, de 2013.
Está aqui, com acesso condicionado.
Índice:
- Susanne Grieve, Nicole Wittig, Emily Powell, Conservation of a Rubber Terrain Model Map from World War II, pp. 71-81
- Carol A. Grissom, Nicole Grabow, Corey Smith Riley, A. Elena Charola, Evaluation of Coating Performance on Silver Exposed to Hydrogen Sulfide, pp. 82-96
- Elizabeth Hinde, Petronella Nel, Robyn Sloggett, Ann Roberts, Fluorimetric Analysis of the Constituent Dyes Within Daylight Fluorescent Pigments: Implications for Display and Preservation of Daylight Fluorescent Artwork, pp. 97-106
- Gwen Spicer, Conservation Treatment of a Hunzinger Cantilevered Armchair Including the Use of Magnets to Create Tufting, pp. 107-122
Acabaram de ser publicadas as comunicações apresentadas num colóquio sobre a conservação de documentos gráficos realizado no mês passado em Viena:
Lieve Watteeuw, Christa Hofmann (ed.), Paper Conservation: Decisions & Compromises, Wien, International Council of Museums, 2013.
Está aqui, com acesso livre.
Índice:
- Lieve Watteeuw, Introduction, p. 7
- Dianne Lee van der Reyden, New Trends in Preservation in the Digital Age: New Roles for Conservators, p. 8
- Uta Landwehr, Junko Sonderegger, The Albums of Duke Charles de Croÿ: Consolidation and Modified Re-housing of Double-sided Miniatures on Parchment in Bound Volumes, p. 14
- Doris St-Jacques, Maria Bedynski, Lynn Curry, Season Tse, A 1763 Illuminated Haggadah Manuscript: How Ineffective Past Treatments Resulted in an Antioxidant Research Project, Impacting Current Treatment Decisions, p. 17
- Birgit Speta, The Conservation of the Hussite Codex: Considerations on Minimal Intervention, p. 21
- Lieve Watteeuw, Books in Exhibitions: History and Adventures in Display, p. 24
- Robert Fuchs, Risk and Safety of Illuminated Manuscripts with Brittle Paint Layers: Can the Digital Scan Substitute Old Manuscripts? Are Old Choices of Conservation Reversible?, p. 28
- Lynn B. Brostoff, Sylvia Albro, John Bertonaschi, Integrating Analytical Tools in Treatment Decision-making for a 1513 Hand-colored Ptolemy Geographia Atlas, p. 29
- Christa Hofmann, Andreas hartl, Kyujin Ahn, Laura Völkel, Ina Faerber, Antje Potthast, Verdigris I: Compromises in conservation, p. 34
- Kyujin Ahn, Andreas hartl, Christa Hofmann, Ute Hennings, Antje Potthast, Verdigris 2: Wet Chemical Treatments which are not Easy to Decide and Apply, p. 36
- Matija Strlic, Catherine Dillon, Nancy Bell, Peter Brimblecombe, Kalliopi Fouseki, Jinghao Xue, William Lindsay, Eva Menart, Carlota Grossi, Kostas Ntanos, Gerrit De Bruin, David Thickett, Fenella France, Integrated Modelling: The Demography of Collections, p. 38
- Jana Kolar, Dusan Kolesa, Gerrit de Bruin, Characterisation of Historical Paper - Possibilities and Limitations, p. 42
- Véronique Rouchon, Eleonora Pellizzi, Maroussia Duranton, Study of Phytate Chelating Treatments Used on Iron Gall Ink Damaged Manuscripts, p. 46
- Pnina shor, lena libman, tanya bitler, tanya treiger, Practice and Progress in the Conservation, Preservation and Digitization of the Dead Sea Scrolls, p. 50
- Jiri Vnoucek, The Language of Parchment - Learning the History of Manuscripts with the Help of Visual Assessment of the Parchment, p. 51
- Paul Garside, Barry Knight, The Use of NIR Spectroscopy to Investigate the Condition of Parchment, p. 55
- Linda Stiber Morenus, Color Printing in 16-17th Century Italian Chiaroscuro Woodcuts: Degradation, Conservation Issues and Exhibition Concerns, p. 59
- Hassan Ebeid, Jean Brown, Ysanne Holt, Brian Singer, A Study of Dyed Endpapers during Islamic Medieval Times in Egypt: Purpose, Materials and Techniques, p. 61
- Aline Abreu Migon dos Santos, Preservation of Architectural Drawings on Translucent Paper in Brazil: Conservation Methods in Public Institutions, p. 66
- Irene Brückle, Maike Schmidt, Eva Hummert, Elisabeth Thobois, Removable loss Integration in the Re - Treatment of Robert Delaunay’s Three Graces: Study for “The City of Paris” at the Albertina, Vienna, p. 69
- Xing Kung Liao, Fei Wen Tsai, Simple yet Complicated – An Evaluation of Airbrush Technique Applied to Filling Losses using Cellulose Powders, p. 73
- Andreas Hartl, Ronald by Franz West: Conservation of a Three - Dimensional and Painted Papier Mâché Object, p. 77
- Valentine Dubard, The Restauration of Cartoons at the Department of Drawings and Prints in the Louvre, p. 80
- Philip Meredith, Tanya Uyeda, To Remove or Retain? – Extensive Infills and Reworking in a Large - Scale Japanese Wall Painting, p. 84
- Tilly Laaser, Karolina Soppa, Christoph Krekel, The Migration of Hydroxy Propyl Cellulose During Consolidation of a Painted Wallpaper: A Case Study Using a Fluorescent - Labelled Consolidant, p. 88
- Magdalena Grenda, Ethical Considerations Concerning the Conservation and Restoration of a Herbarium from the 19th Century, p. 93
- Rita Araújo, Conceição Casanova, Maria João Melo : Ana Lemos, Vânia S. F. Muralha, Marcello Picollo, Conservation of a Book of Hours from Mafra’s National Palace - Collection: Between Technique and Ethics, p. 97
- Michael Wheeler, Nicholas Barnard, Karine Bovagnet, Richard Mullholland, The Conservation and Digitization of Jain Manuscripts at the Victoria and Albert Museum, p. 102
- Guadalupe Piñar, Katja Sterflinger, Flavia Pinzari, The Microflora Inhabiting Leonardo da Vinci’s Self - Portrait: A Fungal Role in Foxing Spots, p. 105
- Patricia Engel, Katja Sterflinger, Microorganisms in Books: First Results of the EU Project “Men and Books”, p. 109
- Ewa Paul, Anna Grzechnik, Deconstructing the Reconstruction, p. 113
- Marzenna Ciechanska, Dorota Dzik Kruszelnicka, Elzbieta Jezewska, Joanna Kurkowska, Conservator’s Investigation of the Chinoiserie in the Wilanów Palace, p. 117
- Grace Jan, Xiangmei Gu, A systematic Approach to Condition Assesment and Treatment of Chinese Handscrolls, p. 122
- Christina Duffy, Applications of Image Processing Software to Archival Material, p. 127
- Christina Duffy, Analysing Deterioration of Artifacts in Archival Material Using Multispectral Images, p. 131
- Eve Menei, Laurence Caylux, Strategy in the Case of a Wrecked Papyrus: Is an Intervention Appropriate?, p. 135
- Ana Margarida Silva, Marcello Picollo, Márcia Vilarigues, Maria João Melo, Fiber Optic Reflectance Spectroscopy (FORS): A Useful Technique for the Analysis of an Early 20th Century Livre d’Artiste, p. 139
- Lieve Watteeuw, Bruno Vandermeulen, Jan Van der Stock, Fred Truyen : Marc Proesman, Luc Van Gool, Wim Moreau, Imaging Characteristics of Graphic Materials with the Minidome (RICH), p. 140
- Yana van Dyke, The Paper Conservator’s Role: The Metropolitan Museum’s Renovated Galleries for the Art of the Arab Lands, Turkey, Iran, Central Asia and later South Asia, p. 142
- Paul Garside, Rajabi Razak, Characterising the Origin of Carbon Black Inks by ATR FTIR Spectroscopy, p. 145
- Marion Verborg, A Technical Study and Conservation Project of Roy Lichtenstein’s Screenprint on Plastic, Sandwich and Soda, 1964, p. 149
- Hsin-Chen Tsai, Digitally Printed Paper Infills for Compensation as Applied to Japanese Decorative Fold - Dyed Papers, p. 153
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Embora já tenha sido publicado há alguns meses, só agora tive oportunidade de consultar uma obra sobre o estudo material de obras de arte que, certamente, ficará como uma referência. Trata-se de:
Christina Currie, Dominique Allart, The Brueg(h)el Phenomenon. Paintings by Pieter Bruegel the Elder and Pieter Brueghel the Younger with a Special Focus on Technique and Copying Practice, 3 volumes, Brussels, Royal Institute for Cultural Heritage, 2012.
O índice está livremente disponível aqui.
Da apresentação:
The fascination exerted by the works of the illustrious Pieter Bruegel the Elder in the decades following his death in 1569 is matched only by the intense interest they generate today. At the end of the sixteenth century and in the first half of the seventeenth, the most ambitious art collectors fought over the few paintings by the master that were still on the market. This setting was the catalyst for the appearance of copies and pastiches – and even deliberate forgeries. It was then that the elder son of Pieter Bruegel, known as Pieter Brueghel the Younger (whose name is spelled ‘Brueghel’ here, conforming to the signature that he adopted during the initial phase of his career) emerged as a legitimate successor, producing astonishingly faithful replicas of his father’s paintings. This was all the more surprising given that they were often made after works that were by then dispersed in diverse and sometimes inaccessible private collections. Operating within the context of a sizeable workshop, Brueghel supplied the market with hundreds of copies of variable quality according to demand. This enterprise merited re-evaluation from a technical point of view: how were such vast numbers of copies produced in practice?
This three-volume book explores the intriguing Brueg[H]el phenomenon through the two artists’ painting practices. The technical aspects of their works are investigated in a detective-like manner and are strikingly elucidated with a wealth of colour illustrations. The reader will come to understand the accomplished practitioner behind the genius that is Bruegel the Elder and the working procedures of his foremost emulator’s workshop. Furthermore, Brueghel the Younger’s exceptional qualities as a painter are singled out from those of his workshop production. The book also reveals fresh discoveries on the father’s creative process through the study of his son’s copies.
O seguinte volume, que reúne as comunicações apresentadas num colóquio, está livremente disponível na internet:
José Miguel Herrero, Marius Vendrell (ed.), Archaeometry and Cultural Heritage: the Contribution of Mineralogy, Madrid, Sociedad Española de Mineralogía, 2012.
Está aqui.
Índice:
- Salvador Domínguez-Bella, Archaeomineralogy of prehistoric artifacts and gemstones, p. 5
- María Isabel Prudêncio, Trace element geochemistry and mineralogy for solving problems in provenance and production technologies of Pre-historic ceramics, p. 29
- Marino Maggetti, Technology and Provenancing of French faience, p. 41
- Gilberto Artioli, Archaeometallurgy: the contribution of mineralogy, p. 65
- David Hradil, Janka Hradilová, Microanalysis of pigments in art works, p. 79
- Carlos Rodríguez-Navarro, Binders in historical buildings: traditional lime in conservation, p. 91
