Publicações online do ex-IPCR, ex-IPM e IMC

O Instituto dos Museus e da Conservação (IMC) anunciou aqui a intenção de disponibilizar online, com acesso livre, algumas das publicações do ex- Instituto Português de Conservação e Restauro, e não só, nomeadamente algumas que estão esgotadas.

Neste momento estão disponíveis os dois primeiros números dos Cadernos de Conservação & Restauro. Os dois podem ser visualizados aqui e a partir daí pode ser feito o download do 2.º número em formato pdf. O 1.º número também pode ser obtido em formato pdf, mas a partir daqui – a opção de download passa despercebida por baixo da barra azul no topo. Este download só é possível após registo gratuito no Issuu.

Embora não tenha sido anunciado, nesta mesma plataforma também está disponível o volume:

• José Mendes (ed.), Retábulo de Ferreira do Alentejo, Lisboa, Instituto Português de Conservação e Restauro, 2004.

Está aqui e da mesma forma é possível ser feito o download.

Além destas publicações, já há algum tempo que estão disponíveis no site do IMC várias publicações do ex-Instituto Português de Museus e do IMC, nomeadamente alguns volumes das Normas de Inventário:

• Elsa Garrett Pinho, Inês da Cunha Freitas, Normas de Inventário. Normas Gerais. Artes Plásticas e Artes Decorativas, Lisboa, IPM, 1999.

• Teresa Alarcão, Teresa Pacheco Pereira, Normas de Inventário. Têxteis, Lisboa, IPM, 1999.

• Luís Raposo, Adolfo Silveira, Virgílio Correia, Normas de Inventário. Normas Gerais. Arqueologia, Lisboa, IPM, 2000.

• Maria João Vilhena de Carvalho, Normas de Inventário. Artes Plásticas e Artes Decorativas. Escultura, Lisboa, IPM, 2004.

• Celina Bastos, Maria da Conceição Borges de Sousa, Normas de Inventário. Artes Plásticas e Artes Decorativas. Mobiliário, Lisboa, IPM, 2004.

• Joaquim Pais de Brito, Ana Margarida Campos, Paulo Ferreira da Costa, Normas de Inventário. Etnologia. Alfaia Agrícola, Lisboa, IPM, 2004.

• Cláudia Almeida, Joaquim Pais de Brito, Patrícia Melo, Normas de Inventário. Etnologia. Tecnologia têxtil, Lisboa, IPM, 2007.

• Joaquim Oliveira Caetano, Normas de Inventário. Artes Plásticas e Artes Decorativas. Pintura, Lisboa, IMC, 2007.

• Ana Anjos Mântua, Paulo Henriques, Teresa Campos, Normas de Inventário. Artes Plásticas e Decorativas. Cerâmica de Revestimento, Lisboa, IMC, 2007.

• Maria das Dores Cruz, Virgílio Hipólito Correia, Normas de Inventário. Artes Plásticas e Decorativas. Cerâmica Utilitária, Lisboa, IMC, 2007.

Estão aqui.

Também já há algum tempo que estão disponíveis alguns volumes da colecção Temas de Museologia, nomeadamente o seguinte:

• Conceição Borges de Sousa, Gabriela Carvalho, Joana Amaral, Matthias Tissot, Plano de Conservação Preventiva. Bases orientadoras, normas e procedimentos, Lisboa, IMC, 2007.

Estão aqui.

Conservação do património cultural

Foi há pouco publicado o volume de actas do encontro YOCOCU 2008 - Youth in Conservation of Cultural Heritage, que decorreu em Roma há cerca de um ano:

Andrea Macchia, Ernesto Borrelli, Luigi Campanella, YOCOCU 2008. Youth in Conservation of Cultural Heritage. Proceedings, Italian Association of Conservation Scientists - Italian Society of Chemistry, Rome, 2009.

Índice:

• Sarah Court, Christian Biggi, Young people in conservation: international and local participation in safeguarding the cultural heritage of Ercolano, Italy, p. 1

• Fariz S. Khalilli, Conservation of archaeological materials in Azerbaijan and the National Museum Of History Of Azerbaijan, p. 9

• Grazia De Cesare, Bruno Zanardi, Maurizio Coladonato, Antonio Iaccarino, Carlo Serino, Cooperation to the university development of the scientific restoration Italy-Bolivia, p. 14

• Sophie Eberhardt, Architectural heritage of Al-Andalus: expression of cultural transfers, exchanges and, syncretism, p. 20

• Elizabeth Edwards, Managing 'authenticity' at heritage sites: how can authenticity be protected?, p. 28

• Maria Sole Cardulli, Caravaggio and classical heritage: the sources of musical paintings, p. 37

• Sónia Barros dos Santos, António João Cruz, Traditional and modern blue pigments in Portuguese 19th century technical literature, p. 44

• Pelagotti, L. Marras, A. Del Mastio, A. De Rosa, A. Piva, Multispectral imaging: a way to material identification, p. 51

• M. Nervo, P. Croveri, M. Ganio, A. Piccirillo, T. Poli, P. Luciani, Modern finishings found on a XIII century Japanese wooden statue (kongo rikishi), p. 57

• Claudia Conti, Tommaso Poli, Chiara Colombo, Marco Realini, Darkening of white painted areas on terracotta statues from italian "sacri monti", p. 63

• Maria Francesca Alberghina, Salvatore Schiavone, Fernanda Prestileo, Giovanni Bruno, Cosimo Di Stefano, Giacomo Cina, Investigations on standard pigments with multispectral and XRF analysis, p. 70

• Silvia Alinghelli. Gian Antonio Mazzocchin, Danilo Rudello, Isabella Colpo, Analysis of roman wall paintings from Nora, Sardinia (Italy), p. 77

• Francesca Caterina Izzo, Elisabetta Zendri, Guido Biscontin, Ilaria Nardini, The painting technique in contemporary art: Giuseppe Cherubini's mural paintings in Venice, p. 86

• Paradisi, S. Goidanich, D. Carnelli, G. Pennati, L. Toniolo, Mechanical tests for the evaluation of ancient plasters' consolidation, p. 95

• Rosella Cataldo, Gianni Leucci, Stefano Siviero, Delia D'Agostino, A multidisciplinary approach on planning restoration works for historical buildings, p. 103

• Anna Ferrugiari, Giorgio Fustella, Matteo Toni ut asini, Giuseppe Zerhi, An innovative application of optical techniques in cultural heritage for the characterization of carbonaceous fraction in atmospheric particulates, p. 111

• Barbara Di Odoardo, Maurizio Coladonato, The use of co in the removal of concretions on stone artefacts from open-air and underwater archaeological sites, p. 119

• Giovanna Piantanida, Armida Sodo, Michela Monti, Flavia Pinzaci, Marina Bicchieri, High-resolution imaging techniques in characterization of paper damage: SEM-EDS and AFM use in stains classification, p. 127

• Colapiachioni Mauro, Residori Luciano, Pasquariello Giovanna, Desio Maria Emanuela, The photographic historical heritage: non destructive analysis and conservation, p. 133

• Irene Renda, Francesco Lonero, Corrado Fanelli, Antonio Scarpa, Flavia Pinzati, Fungal volatiles as early markers of paper spoilage: the electronic nose technology, p. 140

• Stefania Bruni, Giuseppe Maino, Carlotta Olivieri, SEM elemental analysis of ancient stained glasses, p. 149

• Chiara Andreotti, The castrum turricula: example of study and research of a possible coexistence between ancient structures and modern garden, p. 156

• Cristina Catanzaro, The fixation of pastel artworks. Study and experimentation, p. 164

• Monica Gherardi, Maria Pia Gatto, Occupational safety and prevention in conservation of cultural heritage, p. 173

• Michele Baglioni, Giacomo Pizzorusso, Giovanna Poggi, Conservation science at CSGI - innovative methods for the conservation of works of art, p. 181

• Flavia Tasso, Chiara Alisi, Nicoletta Barbabietola, Paola Marconi, Michela Grimaldi, Carlo Cremisiniand Anna Rosa Sprocati, Exploratory investigations on the potential contribution of selected microbial strains to specific restoration problems, p. 186

• Alessandra Carollo, Maria Pia Casaletto, Maria Brai, Stone materials degradation in archaeological contexts: the case study of the ancient theatre in taormina (sicily, italy), p. 192

• Fabio Castro, Claudia Pelosi, Study of wall paintings and mosaics by means of ultraviolet fluorescence and false colour infrared photography, p. 197

• Gabriele Ceres, Michela De Paoli, Marco Fiorilla, Fulvio Mercuri, Concettina Tropea, Microclimate study of the conservation hall of the Lancisiana Library in Rome, p. 200

• Valeria Marina Ciocan, Costanza Miliani, Cinzia Conti, Domus aurea: characterization of pigments and stuccoes on the gilded vault, p. 206

• Federico Eisner, Ernesto Borrelli, Solubility ranges for manila copal, p. 211

• Giorgia Genco, Claudia Maura, Angela Lo Monaco, Maurizio Marabelli, Claudia Pelosi, A methodological approach to the safeguard of the wooden door of Todi Cathedral, p. 217

• Raffaella Iovine, The restoration of the modern and contemporary art: the case of Naples, p. 222

• Samantha Iovenitti, Problems of conservation of a sculpture in wax "Portrait of a Cuban Lady" (1924) realized by Vincenzo Gemito, p. 225

• Macchia, A. M. Salvi, M.P. Sam martino, M. Laurenzi Tabasso, Stone and bronze in monument's: decay forms and cleaning proposals, p. 231

• Alessia Masi, Laura Sadori, Archaeobotanical investigations in Rome and its region, p. 236

• Davide Melica, Lucia Anna Margari, Scientific examinations for a minimal intervention: the restoration of an oil painting of XVII century, p. 244

• Claudia Pelosi, Ilaria Montini, Elisabetta Matta:, Mainardo Gaudenzi Asinelli, Alberto De Santis, Study of decorated pottery fragments by means of micro-raman and other techniques, p. 250

• Emiliano Carretti, Marco Milano, Irene Natali, Rodorico Giorgi, Luigi Dei, Piero Baglioni, Physicochemical characterization of cellulose based motion picture film, p. 254

• Matteo Placido, Luciano Residori, Daniele Ruggiero, Lorena Butti, Marina Bicchieri, Giuseppe Guida, Description of a method of analysis for the characterization of pigments in some paintings from the nineteenth century conserved at the Museo Nazionale Del Compendio Garibaldino Di Caprera, p. 259

• Claudia Mazzuca, Romina Lucci, Gianfranco Bocchinfuso, Serena Dominijanni, buca Tortora, Antonio Palleschi, Efficiency of protective coatings: an accelerated ageing study on paintings, p. 266

• Luigi Campanella, Susanne Heidi Plattner, Maurizio Marahelli, Vapour-phase corrosion inhibitors in cultural heritage conservation, p. 269

Além destas comunicações, o volume contém ainda o resumo das comunicações apresentadas na forma de poster.

Estudo dos materiais constituintes de obras do património cultural através de métodos físicos e químicos

A seguinte tese de doutoramento está livremente disponível aqui.

Liz Karen Herrera Quintero, Physico-Chemical Research of Cultural Heritage Materials Using Microanalytical Methods, Sevilla, Universidad de Sevilla, 2009.

Índice:

• Studies and Research of Paintings
• Advanced Combined Application of µ-X-ray Diffraction/µ-X-ray Fluorescence with Conventional Techniques for the Identification of Pictorial Materials from Baroque Andalusia Paintings
• Characterisation of iron oxide-based pigments by micro X-Ray diffraction
• Synchrotron-based X-ray experiments used for the study of an iron oxide micrometric pigment in 18th century paintings
• Characterisation of azurite and malachite pigments by combined application of µ-X-ray diffraction/µ-X-ray fluorescence in cross section from Spanish Baroque paintings
• Studies on Ancient Mirrors
• Hg/Sn amalgam degradation of ancient glass mirrors
• Study of nanocrystalline SnO2 particles formed during the corrosion processes of ancient amalgam mirrors
• Studies on Baroque Metallic Organ Pipes
• Chemical composition of the metal pipes of Spanish baroque organs as determined by laboratory and synchrotron techniques
• Chemical composition of the red pipes of a Spanish baroque organ
• Studies of Ancient Fibres
• Identification of cellulose fibres belonging to Spanish cultural heritage using synchrotron x-ray diffraction and laboratory techniques
• Studies of Metallic Artefacts
• Analysis of cultural heritage metallic artefacts from Andalusia
• Conclusions
• Resumen

CeROArt - Conservation, Exposition, Restauration d'Objects d'Art, n.º 4, 2009

Acabou de ser publicada o n.º 4 da revista digital CeROArt - Conservation, Exposition, Restauration d'Objects d'Art. Os artigos, com acesso livre, estão disponíveis aqui.

Índice:

• Muriel Verbeeck-Boutin, Editorial

• Noémie Drouguet, Introduction

• George Brunel, Choix, valeurs, théorisation. Penser les pratiques d'aujourd'hui avec Cesare Brandi

• Roland May, Patrimoine(s) et Conservation-Restauration(s). Quelques réflexions pour une théorie globale

• Muriel Verbeeck-Boutin, De l'axiologie. Pour une théorie des valeurs appliquée à la conservation-restauration

• Paolo Martore, The Contemporary Artwork Between Meaning and Cultural Identity

• Anita Durand, Valeurs, compromis et polémiques. La ré-instauration des œuvres éphémères et/ou performatives

• Antonio Iaccarino Idelson, About the choice of tension for canvas paintings

• Romanella Bosseau, Réflexions sur la restauration du patrimoine paléontologique à travers la réhabilitation scientifique d'un fossile d'ichthyosaure

• Daniel Cull, Subjectivity as Treatment: Neurosis and the Roots of Contemporary Ethnographic Conservation

• André Gob, Le jardin des Viard ou les valeurs de la muséalisation

• Corinne Van Hauwermeiren- Echement, Poser et reposer des choix.. Réflexions autour d'un ensemble de quatre panneaux du XVIe siècle

• Iris Kapelouzou, Alison Richmond, Alison Bracker, Conservation: Principles, Dilemmas and Uncomfortable Truths

• Muriel Verbeeck-Boutin, Art d'aujourd'hui, patrimoine de demain. Conservation et restauration des œuvres contemporaines

• Sophie Moreaux, Dominique Deneffe, Famke Peters and Wim Fremout, Pre-Eyckian Panel Painting in the Low Countries

• Aurélie Minet, Raffaello - Lo Sposalizio della Vergine restaurato

Studies in Conservation, vol. 54, n.º 3, 2009

Acabou de ser publicado o volume 54, n.º 3, de 2009, da revista Studies in Conservation, do IIC.

Índice:

• Wan Glaznev, Vladimir Alekseev. Irina Salnikova, Larisa Gordeeva. Inna Shilova, Boris Elepov, Yuriy Aristov, ARTIC-1: a new humidity butter for showcases, pp. 133-148

• Stefan Zumbuehl, Nadim C. Scherrer, Alfons Berger, Urs Eggenberger, Early viridian pigment composition: characterization of a (hydrated) chromium oxide borate pigment, pp. 149-159

• Mark Clarke, A nineteenth-century colourman's terminology, pp. 160-169

• Robyn Sloggett, Expanding the conservation canon: assessing cross-cultural and interdisciplinary collaborations in conservation, pp. 170-183

e_Conservation, n.º 11, 2009

Acabou de ser publicado o n.º 11 da revista digital e_Conservation. Está disponível aqui.

Além das habituais notícias, contém os seguintes artigos:

• Daniel Cull, Conservation on the Cyber Frontier, p. 18

• Kornelius Götz, Axel Böcker, Let's Paint a Ruin. The Conservation of the Steel Coal Tower in Voelklinger Huette, p. 26

• Abdul Wasay Najimi, The Ghalwar Mosque and Girls School. A Project Recently Re-examined. Danish Contribution in Post-War Conservation of Afghanistan Heritage in Herat, 1993-94, p. 36

• Catarina Gersão de Alarcão, Knowing Hodart and His Work. The Conservation-Restoration of the Last Supper, p. 55

• André Varela Remígio, The Monastery of Saint Mary of Alcobaça. The Conservation-Restoration of the Sanctuary Reliquaries, p. 67

• Elsa Filipe de Andrade Murta, The Use of Wax-Resin in Conservation Treatments of Gilded Surfaces, p. 83

Journal of Cultural Heritage, vol. 10, n.º 4, 2009

Acabou de ser publicado o n.º 4, do volume 10, da revista Journal of Cultural Heritage, de 2009. Está disponível aqui [acesso condicionado].

Índice:

• Eleni Mikropoulou, Euphoria Tsatsaroni, Evangelia A. Varella, Revival of traditional European dyeing techniques yellow and red colorants, pp. 447-457

• Eugene Ch'ng, Experiential archaeology: Is virtual time travel possible?, pp. 458-470

• Muhammad El-Gohary, Experimental tests used for treatment of red weathering crusts in disintegrated granite - Egypt, pp. 471-479

• Donato Abruzzese, Lorenzo Miccoli, Jianli Yuan, Mechanical behavior of leaning masonry Huzhu Pagoda, pp. 480-486

• Davoud Agha-Aligol, Parvin Oliaiy, Mohammad Mohsenian, Mohammad Lamehi-Rachti, Farah Shokouhi, Provenance study of ancient Iranian luster pottery using PIXE multivariate statistical analysis, pp. 487-492

• Konrad Zehnder, Alexander Voûte, Monitoring detaching murals in the convent of Müstair (Switzerland) by mirror micrometry, pp. 493-500

• Emiliano Carretti, Marco Milano, Luigi Dei, Piero Baglioni, Noninvasive physicochemical characterization of two 19th century English ferrotypes, pp. 501-508

• Davide Alfano, Alexandra Romina Albunia, Oriana Motta, Antonio Proto, Detection of diagenetic alterations by Spectroscopic Analysis on Archaeological Bones from the Necropolis of Poseidonia (Paestum): A case study, pp. 509-513

• Paolo Cavagnero, Roberto Revelli, Numerical model application for the restoration of the Racconigi Royal Park (CN, Italy), pp. 514-519

• Sylaiou Styliani, Liarokapis Fotis, Kotsakis Kostas, Patias Petros, Virtual museums, a survey and some issues for consideration, pp. 520-528

Conservação da arte contemporânea

Foi há pouco publicado o seguinte livro:

Art d’aujourd’hui - Patrimoine de demain. Conservation et restauration des oeuvres contemporaines, Paris, SFIIC, 2009.

Corresponde ao volume que contém as comunicações apresentadas no 13.º Encontro da secção francesa do IIC, que se realizou em Junho deste ano, em Paris.

Índice:

• Didier Bernheim, L'originalité dans les arts plastiques et la protection de l'art contemporain, p. 7

• Marina Pugliese, Antonio Pugliese, Barbara Ferriani, Contemporary Artwork Preservation, p. 15

• Vivian Van Saaze, From Intention to Interaction, p. 20

• Alain Viguier, Le critique d'art, p. 29

• Iris Kapelouzou, On Artworks, Heritage, and persisting things in general, p. 37

• Rebecca Gordon, Authenticity and Intent, p. 43

• Renée Van De Vall, Towards a Theory and Ethics for the Conservation of Contemporary Art, p. 51

• Muriel Verbeeck-Boutin, Penser les pratiques après Cesare Brandi, p. 57

• Lydia Beerkens, Ready for take off - again: Panamarenko's 'Umbilly 1' (1976), p. 67

• Sanneke Stigter, Between Concept and Material, p. 74

• Michel Paysant, Michel Menu, On LAB : regards croisés sur le sceau cylindre d'Ibni-Sharrum, p. 82

• Paolo Martore, Reconstructing the Experience, p. 89

• Gian Hamidreza Rouhi, La problématique de la conservation-restauration des œuvres d'art contemporaines actionnées par moteur, p. 96

• Olivier BÉringuer, Les oeuvres électromécaniques en mouvement, p. 108

• Aurélia Catrin, Gaël Latour, 1000 Names, Anish KAPOOR, p. 114

• Jia-Sun Tsang, Eric Jentsch, Rebecca Gieseking, Ann Seeger, Preserving Modern Marvels, p. 125

• Rebecca Ploeger, Oscar Chiantore, Stability Issues for the Conservation of Artists' Alkyd Paints, p. 131

• Thea B. Van Oosten, Beatriz Lorente Álvarez, Anna LaganÀ, Protective Materials for Polyester Art Objects, p. 138

• Nathalie Balcar, Alain Colombini, Approche multi-analytique pour l'étude du PVC, p. 146

• Aurélia Chevalier-Menu, Dialogue avec Simon Hantaï autour de la question de l'accrochage, p. 159

• Maria Letizia Profiri, Restauration de deux oeuvres contemporaines du capcMusée d'art contemporain de Bordeaux, p. 165

• Grazia Nicosia, Eugène-Jean Leroy, Évelyne-Dorothée Allemand, Le projet muséographique du futur Musée des beaux-arts Eugène Leroy de Tourcoing, p. 171

• Barbara Ferriani, Rebecca Ploeger, Tommaso Poli, Oscar Chiantore, Lucio Fontana, p. 179

• Carole Husson, Le vandalisme sur des oeuvres contemporaines, p. 186

• Tom Learner, Bronwyn Ormsby, Cleaning Acrylic Emulsion Paints, p. 193

• Alain Roche, Rôle du châssis à tension auto-régulée, p. 200

• Géraldine Guillaume-Chavannes, Julien Petche, Évaluation de cadres de transport "MRT" pour les peintures utilisés en France, p. 208

• Clotilde Boust, Matthieu Dubail, Cécile Dazord, Obsolescence technologique et art contemporain, p. 219

• Arianne Vanrell Vellosillo, Les installations d´art dans le projet INCCA Inside Installations, p. 230

• Claudio HernÁndez H, Experimentation and Conservation in Contemporary Photography, p. 237

• Françoise Ploye, Maud Blanc, Kristen HÉly, Le suivi spécifique de conservation, p. 244

• Eugenia Stamatopoulou, Maria Karoglou, Asterios Bakolas, Antonia Moropoulou, Nikos's (Kessanlis) Erotica, p. 253

• Pance Velkov, Site Specific Art in Historic Places, p. 261

• Maria Grazia Ercolino, The Grande Cretto in Gibellina, p. 268

• Vittoria Castoldi Formica, " NODO ", p. 276

• Rachel Rivenc, Thomas Learner, Alan Phenix, Julie Wolfe, The Identification of Paints, p. 284

• Antonio Rava, Rebecca Ploeger, Oscar Chiantore, M.A.C.A.M.,Museo d'Arte Contemporanea all'Aperto di Maglione, p. 292

• Daniela Concas, TUTTOMONDO: The Mural by Keith Haring in Pisa (Italy), p. 299

• Norman H. Tennent, Appliqué Stained Glass, p. 306

• Posters, p. 313

Restaurator, vol. 30, n.º 3, 2009

Acabou de ser publicada a revista Restaurator, vol. 30, n.º 3, 2009.

Índice:

• Ulrike Hähner, Bernhard Seeger, IT-Supported Long-Term Risk Analysis for the Savigny Estate at Marburg University Library, pp. 149-164

• Jozef Hanus, Alena Maková, Michal Ceppan, Jarmila Mináriková, Emília Hanusová, Bohuslava Havl?nová, Survey of Historical Manuscripts Written with Iron Gall Inks in the Slovak Republic, pp. 165-180

• Salvador Muñoz-Viñas, The Impact of Conservation Pressure-Flattening on the Dimensions of Machine-Made Paper, pp. 181-198

• Douglas Goltz, Michael Attas, Edward Cloutis, Greg Young, Paul Begin, Visible (420 – 720 nm) Hyperspectral Imaging Techniques to Assess Inks in Historical Documents, pp. 199-221

• Peter Meinlschmidt, Volker Märgner, Advantages and Disadvantages of Various Techniques for the Visualization of Watermarks, pp. 222-243

A revista está disponível aqui [acesso condicionado].

Aplicações da espectrometria de massa orgânica na arte e na arqueologia

Acabou de ser publicado o seguinte livro:

Maria Perla Colombini, Francesca Modugno (ed.), Organic Mass Spectrometry in Art and Archaeology, Chichester, John Wiley & Sons, 2009.

Índice:

• Maria Perla Colombini, Francesca Modugno, Organic Materials in Art and Archaeology, p. 3

• Gianluca Giorgi, Overview of Mass Spectrometric Based Techniques Applied in the Cultural Heritage Field, p. 37

• Erika Ribechini, Direct Mass Spectrometric Techniques: Versatile Tools to Characterise Resinous Materials, p. 77

• Martine Regert, Direct Mass Spectrometry to Characterise Wax and Lipid Materials, p. 97

• Patrick Dietemann, Christoph Herm, GALDI-MS Applied to Characterise Natural Varnishes and Binders, p. 131

• Stepanka Kuckova, Radovan Hynek, Milan Kodicek, MALDI-MS Applied to the Analysis of Protein Paint Binders, p. 165

• Maria Perla Colombini, Francesca Modugno, Erika Ribechini, GC/MS in the Characterization of Lipids, p. 191

• Francesca Modugno, Erika Ribechini, GC/MS in the Characterisation of Resinous Materials, p. 215

• Maria Perla Colombini, Gwénaëlle Gautier, GC/MS in the Characterisation of Protein Paint Binders, p. 237

• Jean Bleton, Alain Tchapla, SPME/GC-MS in the Characterisation of Terpenic Resins, p. 261

• Ilaria Bonaduce, Alessia Andreotti, Py-GC/MS of Organic Paint Binders, p. 303

• Dominique Scalarone, Oscar Chiantore, Py-GC/MS of Natural and Synthetic Resins, p. 327

• Katarzyna Lech, Katarzyna Polec-Pawlak, Maciej Jarosz, Characterization of Organic Natural Dyes by Electrospray Mass Spectrometry Coupled with HPLC and/or Capillary Electrophoresis, p. 365

• Richard P. Evershed, Compound-specific Stable Isotopes in Organic Residue Analysis in Archaeology, p. 391

• Vincent Mazel, Pascale Richardin, ToF-SIMS Study of Organic Materials in Cultural Heritage: Identification and Chemical Imaging, p. 433

• Mariaelena Fedi, Accelerator Mass Spectrometry for 14C Dating, p. 459

O primeiro capítulo está livremente disponível aqui.

Conservação de objectos arqueológicos de ferro

A seguinte tese de mestrado acabou de ser colocada online com acesso livre:

José María Alonso García, Metodología y Técnicas de Conservación de Objetos Arqueológicos de Hierro. Estudio Cuantitativo y Comparado de la Estabilización de Ocho Objetos del Yacimiento Medieval de Medina Elvira (Granada), Granada, Universidad de Granada, 1995.

Está aqui.

Índice:

• Técnicas de elaboración del hierro
• El acero
• Evolución histórica
• Técnicas de forjado
• Causas de alteración del hierro
• Corrosión
• Tipos de corrosion
• Teoría básica del mecanismo de la corrosión
• Electroquímica
• Morfología de la corrosión electroquímica
• Ambientes de corrosión
• Corrosión activa
• Alteraciones post-excavación
• Productos de corrosión
• Cloruros de hierro
• Patina
• Observaciones
• Tratamientos de conservación
• Acondicionamiento "in situ"
• Tratamientos de estabilización
• Optimización de los tratamientos de estabilización
• El yacimiento de Medina Elvira
• Ubicación y cronología
• Estudio de materiales
• Tratamiento general
• Estabilizacion
• Métodos de análisis cuantitativo de cloruros
• Puesta a punto del método de análisis
• Ensayos y análisis previos
• Metodología de la estabilización en NaOH 2% a temperatura ambiente
• Estabilización en NaOH con variaciones de temperatura
• Estabilización en NaOH con adición de agentes tensoactivos
• Estabilización en NaOH con baños de ultrasonidos
• Datos experimentales
• Conclusiones
• Documentacion grafica
• Bibliografía

Journal of the Institute of Conservation, vol. 32, n.º 2, 2009

Acabou de ser publicado o volume 32, n.º 2, 2009, da revista Journal of the Institute of Conservation.

Índice:

• Jevon Thistlewood, Peter Northover, Corrosion analysis and treatment of two paintings on zinc supports by Frederick Preedy, pp. 137- 148

• Frank Hassard, Towards a new vision of restoration in the context of global change, pp. 149- 163

• Angela Geary, Emily Howe, Three-dimensional documentation and virtual restoration of the Lichfield Angel, pp. 165- 179

• Lydia Gutierrez, The painting materials and techniques of Ralph Hotere's black nitrocellulose lacquer works 1967 to 1977, pp. 181- 204

• Sarah Hillary, Mary Kisler, Auckland’s <i>St Sebastian</i> by Guido Reni, pp. 205- 218

• Jessica David, Case study: the treatment of six reverse paintings on glass from William Nicholson’s <i>Loggia with Figures</i> and <i>Architectural Fragment</i>, pp. 219- 232

• Catherine Nunn, The conservation history of an eighteenth-century collection: caring for the pictures of the Foundling Hospital, pp. 233- 247

• Elizabeth E. Peacock, Jake Kaner, Kate Lowry, Book reviews, pp. 249- 257

Os artigos estão disponíveis aqui [acesso condicionado].

Aplicação da espectroscopia de infravermelho à conservação

O seguinte livro acabou de ser disponibilizado online:

Michele R. Derrick, Dusan Stulik, James M. Landry, Infrared Spectroscopy in Conservation Science, Los Angeles, The Getty Conservation Institute, 1999.

Índice:

• History of Infrared Spectroscopy

• Infrared Absorption Theory

• Sample Collection and Preparation

• Infrared Analysis Methods

• Spectral Interpretation

• Case Studies

• Selected Infrared Spectra Collections and Digitized Libraries

• Infrared Reference Spectra

• Glossary

• Suppliers

• References

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